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La Vie Electronique 2

Klaus Schulze

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Reseña de álbum

Volume Two (three CDs) in this series reissuing all the material found on the long out of print Ultimate Edition box sets (for more background on the series as a whole, see La Vie Electronique 1) is much more interesting than volume one, and the pick of the first six volumes. The music comes from 1972-1975 (but mostly 1972-1973), a rich period of experimentation, as Schulze was gradually forging what would be known as his "classic" sound, nearly palpable by "Blaue Stunde," the 38-minute piece from 1975 concluding the set. This second installment contains more finished works than the drafts-and-jams-packed volume one. "Das große Identifikationsspiel" (42 minutes) is a very good suite of rather experimental music written for a science fiction radio drama by Alfred Behrens. The 27-minute "Titanensee" was done with a ballet in mind, never to be produced; again, it is a strong work in Schulze's experimental vein. However, the undisputed highlight of volume two is a whole album's worth of collaborations with Hans-Jörg Stahlschmidt, a project that had been brought to completion, only to gather dust on a record company's shelves. On this set of tracks, Schulze steps outside of his usual style, his partner's acoustic guitar and vocals (Schulze also plays some acoustic backing) drawing the music close to Popol Vuh territory. For fans curious about Schulze's artistic development, this volume is the one to get, as you can see him trying out ideas and working on collaborations with other artists, and even other art forms. ~ François Couture, Rovi

Reseñas de clientes

Monumental en todos los sentidos

La Vie Electronique fue una monumental retrospectiva de grabaciones inéditas del pionero alemán de la música electrónica Klaus Schulze, que salió en una caja super-limitada de 50 CDs (nada menos) y que se publicó hace 15 años, por supuesto ya agotadísima

Biografía

Nacido/a: Berlin, Germany, 04 de agosto de 1947

Género: Electrónica

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

As both a solo artist and as a member of groups including Tangerine Dream and Ash Ra Tempel, Klaus Schulze emerged among the founding fathers of contemporary electronic music, his epic, meditative soundscapes a key influence on the subsequent rise of the new age aesthetic. Born in Berlin on August 4, 1947, Schulze began his performing career during the 1960s, playing guitar, bass and drums in a variety of local bands; by 1969, he was drumming in Tangerine Dream, appearing a year later on their debut...
Biografía completa