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Made In Germany

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There is a lovely moment in "La Krautoma," after the surf music intro gives way to a strange Peter Leopold drum solo and moves on, that the sound begins to mutate into early-'70s Hawkwind, a gleeful nod from one notable space rock outfit to another. "La Krautoma" is more than that, though; it's a six-minute distillation of acid rock, space rock, and Krautrock that shows the band's knowledge of their own history. It is also an eyebrow-raising moment in the midst of this particular, which spends more time getting into the same space as mid-'70s Europop, providing an antimatter universe version of an average Eurovision song contest lineup — think early ABBA in vinyl raincoats, singing ditties about old King Ludwig and the like. Equally perverse, the Blue Angel motif of the cover fits completely with this approach: life as a cabaret, the decadent edges visible through the veneer. In many respects, it's a neat record, though sometimes a bit too glossy and clever for its own good — nowhere near the sprawling Tanz Der Lemminge, for example. One of the essential set, however.


Fecha de formación: Munich, Germany, 1969

Género: Rock

Años de actividad: '60s, '70s, '80s, '90s

Amon Düül preferred the commune life to the hurly-burly of the music business, releasing several albums edited from recordings of a single extended jam session conducted in 1968. Several commune members with greater musical ambitions formed Amon Düül II — they saw no reason to struggle for a new name, or argue over the original. The new group was helmed by John Weinzierl, Chris Karrer and Renate Knaup-Kroetenschwanz, and set to work to produce an impressive debut with Phallus Dei. This was...
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Made In Germany, Amon Düül II
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