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Maurice Jarre At Abbey Road

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Maurice Jarre's score for the 1971 film Soleil Rouge — a samurai-Western hybrid starring Charles Bronson and Toshiro Mifune — is as idiosyncratic and distinctive as the movie itself, employing an arsenal of exotic instruments to create music that fuses traditions from the Far East and the Old West. Jarre's approach mirrors the film's narrative arc, first introducing spaghetti Western elements before gradually expanding to embrace a moody Japanese sensibility clearly influenced by Fumio Hayasaka's classic scores for Akira Kurosawa. The reliance on atmosphere over action sets apart Soleil Rouge from Jarre's most famous soundtracks, as does its use of odd instruments and fractured, experimental melodies. Not everything works, but what does is wonderful.

Biografía

Nacido/a: Lyon, France, 13 de septiembre de 1924

Género: Bandas sonoras

Años de actividad: '50s, '60s, '70s, '80s, '90s, '00s

Film music composer Maurice Jarre attended the University of Lyons, then went to Paris, where he studied engineering at the Sorbonne before entering the Paris Conservatoire to study composition and percussion. He became musical director of the Théâtre National Populaire and composed his first film score for the short Hôtel des Invalides in 1951. He worked mostly on short films through the mid-'50s before graduating to mostly full-length features in the late '50s. By the early '60s, he had begun to...
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