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La Música No Se Toca

Alejandro Sanz

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Album Review

Like clockwork, Spanish superstar Alejandro Sanz has been releasing a new studio album every three years for the past fifteen. 2012's La Música No Se Toca is the successor to 2009's Paraíso Express, and it introduces one significant change in Sanz's career: namely that he changed records labels after spending more than 20 years with Warner Bros, ever since his 1990 solo debut Viviendo Deprisa. Sanz's switching allegiance to Universal may have to do with the fact that, in times of decreasing record sales and mounting competition at home from all those Operación Triunfo young alumni, his last two albums did not perform as well as expected. Perhaps for the same reason, this time around Sanz refrains from the genre experiments and high-profile duos of No Es Lo Mismo, El Tren de Los Momentos, or Paraíso Express, which included stabs at reggaeton, some political content, and guests such as Calle 13, Shakira, Alicia Keys, Juanes, Maná, or Carlos Baute. Instead, he prefers to play to his strengths and deliver a collection that makes sure to touch all the bases of his now patented singing and songwriting style. This includes plenty of romantic ballads ("Mi Marciana," "Para Decirle Adiós"), and midtempo numbers with a slight flamenco groove ("Me Sumerjo," "Camino de Rosas"), all armed with rousing choruses and defiantly sung in his trademark, rootsy Andalusian voice. Both leading singles "No Me Compares" (automatically nominated in two Latin Grammy categories upon its release) and "Se Vende" are good examples of Sanz's approach to La Música No Se Toca, but in truth, almost any song could have been chosen instead, as they are largely cut from the same cloth. The only exceptions are the few uptempo selections thrown in to stir things up, like the opener "La Música no Se Toca," which promises a different, more rebellious kind of album that never materializes; the snarling rock of "Llamando a la Mujer Acción," and the closer "Down," featuring American rapper Fat Joe. Production by Colombian Julio Reyes is typically immaculate, but overall, La Música No Se Toca is ultimately an album that will not make people change their minds about Alejandro Sanz: those who find his songs inspiring will find much to like, and those who reckon his writing and arrangements are a tad trite will do better to stay away. The formula, however, still seems to work, as La Música No Se Toca debuted at the top of the charts in Spain and several other countries worldwide, quickly reaching double platinum status.

Customer Reviews

Caduco

Suena a mil veces oído. Lleva años cantando igual. No os cansa?

Ni fu ni fa

Alejandro se podia haber ahorrado en este disco como minimo 4 canciones,prefiero un disco bueno con 10 cañones de canciones a un disco con canciones de rellenos infumables,ejemplo (down).Añoro al sanz del disco "Mas",aunque recupere la ilusion en el ultimo disco que sonaba muy a el en sus inicios,pero creo que ha vuelto a discos tipo el tren de los momentos.La mejor cancion con diferencia " Mi marciana".Que conste que soy seguidor suyo desde el minuto uno de au existencia musical,pero....

DECEPCIÓN OTRA VEZ

De verdad y con un oido en condiciones....este tio nos lleva vendiendo el mismo disco desde hace año.no tiene voz y desde hace tiempo tampoco letra.por favor no se cieguen aquellos seguidores incondicionales..escuchen el disco e intenten entenderlo.no sirve no tiene gancho no tiene ritmo y desde la primera hasta la ultima cancion ABURRE.de verdad se que es alejandro sanz,pero solo eso un nombre.escuhar sus dos primeros discos y luego poneros los dos ultimos...valoren con sinceridad.

Biography

Born: 18 December 1968 in Madrid, Spain

Genre: Pop in Spanish

Years Active: '80s, '90s, '00s, '10s

The most commercially successful Spanish singer of all time, Alejandro Sanz earned a reputation as an industrious hitmaker in his native country during the 1990s, and by the decade's end, he'd expanded his fan base internationally as he broadened his style beyond romantic ballads and began collaborating with fellow Latin superstars, most memorably Shakira. A talented songwriter with handsome looks, Sanz proved immensely popular even with his debut album, Viviendo de Prisa (1991), which was a number...
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