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Morning Sci-Fi

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Reseña de álbum

Hybrid return with their patented and totally-tech breakbeat that includes that so distinctive slap at the end. It's the sound that lined up Radiohead, Moby, and Filter for remixes, and two albums in, it shows no sign of getting played out. Perhaps it's because on Morning Sci-Fi they use it sparingly, and with so much focus on the atmosphere and filigree, they come off as Massive Attack and Trevor Horn's lovechild. Morning Sci-Fi is darker than Wide Angle and it's not as upfront about its excellence. Vocalist Adam Taylor has been added as a permanent member and his David Gahan-like voice shows up here and there. It's good when it does, but Morning Sci-Fi's best moments are the moody instrumentals. There are great moments when New Order's Peter Hook guests for two songs on his ever recognizable and melodic six-string bass, and once again a string orchestra is utilized. Their appearances make total sense, and the album ends up being more than the sum of its parts. Moody, cinematic, and incredibly well-constructed, Morning Sci-Fi puts Hybrid ahead of Underworld by a length.


Género: Dance

Años de actividad: '90s, '00s, '10s

Hybrid began as a trio of remixers based in the Welsh city of Swansea: Mike Truman, Chris Healings, and Lee Mullin. Meeting while going to clubs in the early '90s, the three made their own remixes of recordings, eventually earning assignments from record companies to pursue their hobby professionally. Finally, they were signed to Distinct'ive Records and embarked on making an ambitious first album, Wide Angle, in Moscow, using such talents as singer Julee Cruise and the 90-piece Russian Federal Orchestra....
Biografía completa
Morning Sci-Fi, Hybrid
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