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Nights at the Vanguard

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Pianist Tommy Flanagan (in a trio with bassist George Mraz and drummer Al Foster) mostly sticks to lesser-known material (with a few exceptions such as "More than You Know" and "All God's Children") on this enjoyable live date. Flanagan was very much in his prime during the period, revitalizing the bop and hard bop traditions. Highlights include Phil Woods's "Goodbye Mr. Evans," Benny Golson's "Out of the Past," "A Biddy Ditty," and "I'll Keep Loving You." A good example of the fine pianist's talents


Nacido/a: Detroit, MI, 16 de marzo de 1930

Género: Jazz

Años de actividad: '40s, '50s, '60s, '70s, '80s, '90s

Known for his flawless and tasteful playing, Tommy Flanagan received long overdue recognition for his talents in the 1980s. He played clarinet when he was six and switched to piano five years later. Flanagan was an important part of the fertile Detroit jazz scene (other than 1951-1953 when he was in the Army) until he moved to New York in 1956. He was used for many recordings after his arrival during that era; cut sessions as a leader for New Jazz, Prestige, Savoy, and Moodsville; and worked regularly...
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Nights at the Vanguard, Tommy Flanagan
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