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I Must Be Seeing Things

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Reseña de álbum

If you're determined to track down some non-hit Gene Pitney from his '60s prime, this LP is one of the better deals around. Most of the material was penned by first-rate songwriters of the era, such as Bacharach-David, Pomus-Shuman, and Pitney himself. The album also contains early compositions by emerging talents Al Kooper and Randy Newman (whose "Just One Smile" gave Pitney a British hit). Like Pitney's other LPs, though, most of it's not on the level of his most celebrated hits. One intriguing item is the Pitney-penned "Marianne"; could this possibly be a song for Marianne Faithfull, with whom Gene had a brief fling in the mid-'60s?


Nacido/a: Hartford, CT, 17 de febrero de 1941

Género: Pop

Años de actividad: '60s, '70s, '80s, '90s, '00s

One of the most interesting and difficult-to-categorize singers in '60s pop, Gene Pitney had a long run of hits distinguished by his pained, one-of-a-kind melodramatic wail. Pitney is sometimes characterized (or dismissed) as a shallow teen idol-type prone to operatic ballads. It's true that some of his biggest hits — "Town Without Pity," "Only Love Can Break a Heart," "I'm Gonna Be Strong," "It Hurts to Be in Love," and "Twenty Four Hours From Tulsa" — are archetypes of adolescent or...
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I Must Be Seeing Things, Gene Pitney
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