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Street Parade

Earl King

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Reseña de álbum

Funky 1972 tracks that should have fueled a comeback for the Crescent City mainstay but didn't (a lease deal with Atlantic fell through). Allen Toussaint was apparently in charge of the sessions, which produced updates of "Mama and Papa" and "A Mother's Love" as well as a bevy of fresh nuggets (notably the fanciful "Medieval Days," later revived by King on Black Top), and the two-part title item.

Biografía

Nacido/a: New Orleans, LA, 07 de febrero de 1934

Género: Blues

Años de actividad: '50s, '60s, '70s, '80s, '90s

Highly respected around his Crescent City home base as both a performer and a songwriter, guitarist Earl King was a prime New Orleans R&B force for more than four decades. Born Earl Johnson, the youngster considered the platters of Texas guitarists T-Bone Walker and Gatemouth Brown almost as fascinating as the live performances of local luminaries Smiley Lewis and Tuts Washington. King met his major influence and mentor, Guitar Slim, at the Club Tijuana, one of King's favorite haunts (along with...
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Street Parade, Earl King
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