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Twilight (The Score)

Carter Burwell

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Reseña de álbum

Carter Burwell's score for the film adaptation of Stephenie Meyer's massively popular vampire romance saga Twilight was excerpted on the movie's soundtrack, couching the fittingly delicate "Bella's Lullaby" between songs by Paramore and the film's star, Rob Pattinson. Taken as a whole, Burwell's music for the film is often less brooding than the songs on the soundtrack and adds as much subtlety to a film about a teenage girl falling in love with an 100-year-old vampire as can be added. Despite titles like "How I Would Die" and "The Most Dangerous Predator," his score is rarely heavy-handed, using chilly atmospheres and drones to keep things from getting too obvious. Burwell's work is often steeped in yearning and melancholy, making him a good fit for writing music for a love story that would probably result in death if it were consummated. The romantic pieces are the score's strongest and most interesting moments: "Phascination Phase" telegraphs how gripping infatuation can be with an insistent acoustic guitar and a piano melody that wraps around it; "I Dreamt of Edward" brings an eeriness to its longing with slight atonality; and "Bella's Lullaby" is romantic without being sentimental. Burwell makes sure that the story's underlying threat isn't forgotten, mixing suspense and romantic tension on "I Know What You Are" and "The Skin of a Killer," which, with its complex emotions and undulating melody, is one of the most quintessentially Burwell cues in the score. However, the more action-packed pieces ("Nomads," "Showdown at the Ballet Studio") border on overblown, relying too much on pummeling drums and squealing electric guitars. Even if Twilight isn't one of Burwell's most thoughtful scores, it does convey the story's romance and drama adequately and with more sophistication than other composers might have mustered.

Reseñas de clientes

Realmente esta es la banda sonora...

La primera que apareció en el store era la de los temas musicales cantados, en regla general, por artistas externos al compositor musical (Paramore, Linkin Park, el mismísimo Robert Pattisson: Edward en la película). En esta ocasión el magnífico Carter Burwell ocupa toda la gloria con sus magníficas 21 pistas, entre ellas la fantástica Bella´s Lullaby. Mi única pega: podrían haber sacado todo el álbum junto. Mi idea de respuesta: Da más dinero sacar las partes por separado. Aviso a navegantes, el tema de Bella´s Lullaby no tiene nada que ver con el compositor Yiruma como se especuló antes de que la película se acercará a su fecha de estreno.

Música Vampírica

Me encanta. Es una banda sonora muy emotiva y estimulante. Me encantan las piezas de piano. Creo que es lo mejor de la película, que sin duda no hace justicia al libro. En cualquier caso, merece la pena.

Celia (leyendo las silabas del reves Alice)

Crepúsculo es sin duda la mejor pelicula. Estas canciones són magníficas de verdad.

Biografía

Nacido/a: New York, NY, 18 de noviembre de 1955

Género: Bandas sonoras

Años de actividad: '80s, '90s, '00s, '10s

Probably one of a very few soundtrack composers to idolize Iggy Pop, Carter Burwell is best known for his work with the Coen Brothers, having scored every one of their films through the year 2010. By turns haunting and dark or quirky and experimental, Burwell's eclectic music has graced films in a wide variety of genres, and he's used the occasional big-studio project to finance his work on a number of groundbreaking independent films. Born November 18, 1955 in New York, Burwell took piano lessons...
Biografía completa
Twilight (The Score), Carter Burwell
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