iTunes

Abriendo iTunes Store.Si iTunes no se abre, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para escuchar un fragmento y comprar música de Live 1976-1977 de Stanley Clarke, descarga iTunes ahora.

¿Ya tienes iTunes? Haz clic en Tengo iTunes para abrirlo ahora.

I Have iTunes Descarga gratuita
iTunes para Mac + PC

Live 1976-1977

Abre iTunes para escuchar un fragmento, comprar y descargar música.

Reseña de álbum

After giving Clarke's fans a taste of some live tapes of the School Days band on I Wanna Play for You, Epic waited until 1991 to put another batch of them out, well after it would have been commercially feasible to do so. But no matter, for this CD captures one of Clarke's best electric bands — maybe his best band, period — in a number of gigs in the U.S. and U.K., mixing up the jazz, funk, and rock into a high-energy, musically literate brew. A lot of this album recycles then-existing material, but the live conditions add flashes of spontaneity and sometimes considerable interest to jazz fans. Along with the core of Raymond Gomez (guitar), Peter Robinson or David Sancious (keyboards), and Gerry Brown (drums), Clarke used a four-piece horn section to which he gives sophisticated voicings, several solos, and on "The Magician," quasi-Baroque turns. There is a thinly stretched (at times) acoustic cat-and-mouse dialogue between Clarke and Sancious on "Bass Folk Song No. 3," plus, in a departure from the format, an Indian-flavored studio outtake of "Desert Song" (with John McLaughlin) from the School Days sessions. ~ Richard S. Ginell, Rovi

Biografía

Nacido/a: Philadelphia, PA, 30 de junio de 1951

Género: Jazz

Años de actividad: '60s, '70s, '80s, '90s, '00s, '10s

A brilliant player on both acoustic and electric basses, Stanley Clarke has spent much of his career outside of jazz, although he has the ability to play jazz with the very best. He played accordion as a youth, switching to violin and cello before settling on bass. He worked with R&B and rock bands in high school, but after moving to New York he worked with Pharoah Sanders in the early '70s. Other early gigs were with Gil Evans, Mel Lewis, Horace Silver, Stan Getz, Dexter Gordon, and Art Blakey;...
Biografía completa
Live 1976-1977, Stanley Clarke
Ver en iTunes

Valoraciones de clientes

No hemos recibido suficientes valoraciones para poder mostrar un promedio de este artículo.

Influencias

Seguidores

Contemporáneos