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1992-2012 - The Anthology

Underworld

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Album Review

The three-disc 1992-2012 anthology replaces the two-disc 1992-2002 as a generous overview of Underworld's lengthy second act. It was issued simultaneously with A Collection, a single-disc release featuring space-saving edits of the group's lengthier highlights. Bizarrely, this lacks some of the cuts included on A Collection — namely "Beebop Hurry," "Downpipe," "The First Note Is Silent," and "King of Snake" — and reserves the third disc for rarities, including B-sides, Japan-only bonus tracks, and compilation contributions. The cardboard foldout package is sturdy and holds a glossy, photo-packed booklet. Track information is minimal — there's no release information whatsoever — yet most of the photos have dates and locations. Like a lot of career overviews, this is somewhere between an introduction and a collector's item, but it initially retailed for the price of a single disc and holds an edge over the marginally less expensive A Collection.

Biography

Formed: 1988 in London, England

Genre: Electronic

Years Active: '80s, '90s, '00s, '10s

Underworld became one of the most crucial electronic acts of the 1990s via an intriguing synthesis of old and new. The trio's two-man frontline, vocalist Karl Hyde and keyboard player Rick Smith, had been recording together since the early-'80s new wave explosion; after two unsuccessful albums released as Underworld during the late '80s, the pair finally hit it big after recruiting Darren Emerson, a young DJ hipped to the sound of techno and trance. Traditional pop song forms were jettisoned in favor...
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1992-2012 - The Anthology, Underworld
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