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Boleto de Entrada (Bonus Track Version)

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Album Review

Puerto Rican singer/songwriter Kany García emerged as a swiftly ascendant pop star with her diverse 2007 debut, Cualquier Día. The Latin arm of Sony snapped her up and unleashed Boleto de Entrada two years later. García continues to evolve as a full-flavored artist on a record that mingles the melancholy majestic with the firestorms, the overarching pop with the breezy power rock. Despite her album's title, García is more a Spanish-language pop singer than a Latin popster. Although she does slip in a bolero or two, namely the comely "Esta Vida Tuya y Mía," most of the tracks on the 2009 album reveal an artist weaned on the American pop of the 1990s from alternative to soul, as she throws in everything from Indigo Girls-style folk ballads ("Hasta Dónde") to Strokes-ish barroom indie rock ("Eres Tú") to new country balladry ("12 de Noviembre") to Guy-level R&B seduction pieces ("Cuando Tú No Estás"). It's an alluring and unpredictable, if heavily airbrushed, breakout.

Biography

Born: 1982 in Toa Baja, Puerto Rico

Genre: Pop in Spanish

Years Active: '00s, '10s

Singer/songwriter Kany García emerged in 2007 as her native Puerto Rico's fastest rising pop/rock star. The daughter of Spanish former priest Antonio and puertorriqueña Encarnita García de Jesús, Kany grew up in a home filled with music in the town of Toa Baja. The youngest of three musically inclined siblings, Kany began studying classical music as a child. Already well versed in cello, music theory, and voice, Kany began attending the renowned Escuela Libre de Música at age 13. In her mid-teens...
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Boleto de Entrada (Bonus Track Version), Kany Garcia
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