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Feelin' Red

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Album Review

After years of silence (with only one recording cut during the 1963-73 period), Red Garland had a final outburst of recording activity during 1977-80 (with one final effort in 1982). His piano style was virtually unchanged from the late 1950s, and this trio outing with bassist Sam Jones and drummer Al Foster holds its own with his better-known earlier material. Garland is typically distinctive on such numbers as "It's All Right With Me," a swinging "On a Clear Day" and "Cherokee." Originally cut for Muse, this set was reissued on CD by 32 Jazz in 1998.


Born: 13 May 1923 in Dallas, TX

Genre: Jazz

Years Active: '50s, '60s, '70s

Red Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as Charlie Parker, Coleman Hawkins, Lester Young, and Roy Eldridge, but still remaining fairly obscure. That...
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