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Stop and Listen

Baby Face Willette

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Album Review

Probably the greatest set in Baby Face Willette's all-too-slim discography, Stop and Listen matches the organist with the hugely sympathetic team of guitarist Grant Green and drummer Ben Dixon (the same trio lineup who recorded Green's debut LP, Grant's First Stand). With no saxophonist this second time around, it's just Willette and Green in the solo spotlight, and they play marvelously off of one another. As a soloist, Willette has a nimble, airy touch, and though he owes no debt to the modal style of Larry Young, he has a greater melodic imagination than many of his instrument's straight blues players. What's more, his playing is far less in-the-pocket than his inspiration, Jimmy Smith's; Willette can really make a groove percolate, whether he's soloing or adding keen rhythmic interest with his left hand (witness the throbbing slow blues of "Chances Are Few" or the marching beat of "Soul Walk"). Green is in prime form as well, in particular contributing some unbearably lovely solos to the standard "At Last." Nearly every selection is memorable, with other highlights coming from Willette's manic original "Jumpin' Jupiter," a breezy treatment of "Willow Weep for Me," and Nat Adderley's jauntily swinging "Worksong." There's nary a bit of sleepy meandering on this set of grooves; each musician is plugged in and ready to wail. With Blue Note's extraordinary stable of talent, it's a shame that Willette never led another session for the label, which makes Stop and Listen that much more essential for soul-jazz fans.

Biography

Born: 11 September 1933 in New Orleans, LA

Genre: Jazz

Years Active: '60s

Highly underrated as a soul-jazz organist due in large part to a scanty discography, Baby Face Willette remains a somewhat mysterious figure, a quiet, reserved man who disappeared from the jazz scene after the first half of the '60s. Born Roosevelt Willette on September 11, 1933 (there is some dispute as to whether he was born in New Orleans or Little Rock), his parents were heavily involved in the church, and thus his music had deep roots in gospel. Studying with his pianist uncle Fred Freeman,...
Full bio
Stop and Listen, Baby Face Willette
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  • 5,99 €
  • Genres: Jazz, Music, Hard Bop
  • Released: 22 May 1961

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