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Sweet Tea

Buddy Guy

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Album Review

Apparently somebody took the criticisms of Buddy Guy's late-'90s Silvertone recordings to heart. They were alternately criticized for being too similar to Damn Right I Got the Blues or, as 1998's Heavy Love, too blatant in its bid for a crossover rock audience. So, after a bit of a break, Guy returned in 2001 with Sweet Tea, an utter anomaly in his catalog. Recorded at the studio of the same name in deep Mississippi, this is a bold attempt to make a raw, pure blues album — little reliance on familiar covers or bands, no crossover material, lots of extended jamming and spare production. That's not to say that it's without its gimmicks. In a sense, the very idea behind this record is a little gimmicky — let's get Buddy back to the basics — even if it's a welcome one, but that's not the problem. The problem is that the production is a bit too self-conscious in its stylized authenticity. There's too much separation, too much echo, a strangely hollow center — it may sound rougher than nearly all contemporary blues albums, but it doesn't sound gritty, which it should. Despite this, Sweet Tea is still a welcome addition to

Buddy Guy's catalog because, even with its affected production, it basically works. Playing in such an unrestricted setting loosens Buddy up, not just letting him burn on guitar, but allows him to act his age without embarrassment (check the chilling acoustic opener, "Done Got Old"). This may not showcase the showman of the artist live, the way Damn Right did, but it does something equally noteworthy — it illustrates that the master bluesman still can sound vital and can still surprise.

Biography

Born: 30 July 1936 in Lettsworth, LA

Genre: Blues

Years Active: '50s, '60s, '70s, '80s, '90s, '00s, '10s

Buddy Guy is one of the most celebrated blues guitarists of his generation (and arguably the most celebrated), possessing a sound and style that embodied the traditions of classic Chicago blues while also embracing the fire and flash of rock & roll. Guy spent much of his career as a well-regarded journeymen, cited as a modern master by contemporary blues fans but not breaking through to a larger audience, before he finally caught the brass ring in the 1990s and released a series of albums that...
Full bio

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