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Ars Longa Vita Brevis

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Avis sur l’album

The Nice's second album, and their first as a trio, was a genuinely groundbreaking effort, and now it sounds the way it was always supposed to. The 1998 Castle Communications reissue (ESM 646), part of its Essential Masters series, puts even the version in the 1995 Charly box to shame — that was clean and clear, where this is bright, with a much more solid high end and richer bass as well. The energy of the band's playing comes through, along with enough detail to allow you to hear the action on the keyboards in some instances. This is not only the first Nice album to sound as good as the ELP remasters of a couple of years ago, but to match the best of the latter for substance. The "bonus tracks" are merely the monaural single masters of "Daddy, Where Did I Come From" and "Happy Freuds," when ideally "America" would have been on this CD where it belongs (and where it was, on the American version of the original LP).

Avis des utilisateurs

La madeleine de Proust ou les poupées russes

Aux Beaux-Arts à Lille, c’est le disque qui m’a amené à Soft Machine et Pink Floyd. Qui m’ont amené à Zappa, qui m'a amené à Archie Shepp, Stockhausen, Braxton etc. Mais j’écoute quand même Arcade Fire, Clap You And …

Biographie

Formé(s) : mai 1967 à London, England

Genre : Rock

Années d’activité : '60s, '70s

During much of their three years together, the Nice were more of a cult act than actual stars — but they eventually did find major success in England and an international following and, in the course of making some great records and playing even finer shows, they bridged the gap between mid-'60s psychedelic pop and '70s art rock, laying the groundwork for the entire progressive rock explosion in the process. And it was with the Nice that Keith Emerson began his transformation from an unknown...
Biographie complète
Ars Longa Vita Brevis, The Nice
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