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CABU Jazz Masters - Une anthologie (1952-1956)

Oscar Peterson

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Avis sur l’album

The peerless Oscar Peterson was quite fond of Art Tatum, but it is his love for Count Basie, and penchant for live performance that comes to the forefront on this double-disc compilation. From his salad days in 1952, Peterson and his small combos belt out some of the most beloved Basie numbers like "One O'Clock Jump," "Lester Leaps In," "Topsy," and "Jumpin' at the Woodside," among several others. The live "Tenderly" dates from 1956, and serves up some hardcore bopping Peterson, including "Seven Come Eleven," "How High the Moon," and "52nd Street Theme." There are but two Peterson originals: "Blues for Basie" on the first CD, and "Noreen's Nocturne" on the second. The cover art is also unique and humorous. This would be a fine addition to any fan's collection and a good introduction not only to the American Popular Song repertoire, but to the brilliance of this legendary Canadian jazz piano icon. ~ Michael G. Nastos, Rovi


Né(e) : 15 août 1925 à Montreal, Quebec, Canada

Genre : Jazz

Années d’activité : '40s, '50s, '60s, '70s, '80s, '90s, '00s

Oscar Peterson was one of the greatest piano players of all time. A pianist with phenomenal technique on the level of his idol, Art Tatum, Peterson's speed, dexterity, and ability to swing at any tempo were amazing. Very effective in small groups, jam sessions, and in accompanying singers, O.P. was at his absolute best when performing unaccompanied solos. His original style did not fall into any specific idiom. Like Erroll Garner and George Shearing, Peterson's distinctive playing formed during the...
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