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Watch Me Disappear

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Avis sur l’album

On their fourth album, after a stunning success with One Crowded Hour, the Australian band Augie March returned with a mix of somewhat simplistic mainstream sounds and more darkly tinged numbers characteristic of some of their earlier works. The album opens with the title track, a slightly menacing piece with some sweeping overtones highly reminiscent of the Panics. "Pennywhistle" goes a bit more mainstream, but is structurally similar to a Bruce Springsteen song for much of the duration. For a period after "Pennywhistle," the album starts to get a little more pedestrian and a little more experimental at the same time — attempts at new rhythms that don't fit well with the vocals, experiments with additional, clashing bits of instrumentation that make the sound busy but not entirely complete. Towards the end, there's a stroke of a Dylan/Petty-styled romp in "The Glenorchy Bunyip," and another stab at a Panics' sound in the arrangements around "Dogsday" and "Lupus." The album ends in a fairly lackluster form with "The Devil in Me" and a sweeping string arrangement. Watch Me Disappear has its moments of brilliance, though the midsection is a bit gray. One can hope that in the future the band focuses more on the fuller, better-planned pieces like those at the beginning of the album.

Biographie

Formé(s) : 1996 à Melbourne, Australia

Genre : Alternative

Années d’activité : '90s, '00s

Augie March formed in 1996 in Melbourne, Australia, where guitarist/singer/songwriter Glenn Richards, guitarist Adam Donovan, and drummer David E. Williams were attending college. The three grew up together in Shepparton, Victoria, Australia, but it wasn't until they reunited as friends during their college days that Richards, an English major, began writing songs and invited the other two to accompany him. Both Donovan and Williams were studying music and the two sought out bassist Edmond Ammendola,...
Biographie complète
Watch Me Disappear, Augie March
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