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Every Day and Every Night - EP

Bright Eyes

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Bright Eyes' Every Day and Every Night EP establishes Conor Oberst as a teenage genius. The Omaha native explores themes as distant as love and divorce and as oblique as the meaning of youth with an unexpected amount of maturity. Oberst's showcase is "A Perfect Sonnet," a brilliant piece involving his voice and an acoustic guitar. Midway through the song, drums and other guitars appear, pushing Oberst's voice to a level of intensity not heard since Hüsker Dü's "Girl Who Lives on Heaven Hill." The breathtaking vocal croaks, cries, and moans on a single syllable. The cuts on Every Day and Every Night could pass as Okie folk songs or lo-fi indie rock; his songwriting and tone is that good. The pedal steels during "On My Way to Work" feel just as genuine as the looped beats in "Neely O'Hara." What is most impressive about Oberst and his Bright Eyes project is how he manages to tackle so many issues, so many styles, and so many emotions, yet each feels as meaningful and honest as the last. Simply put, the best singer/songwriter record in ten years.

Biographies

Formé(s) : 15 février 1980 à Omaha, NE

Genre : Alternative

Années d'activité : '90s, '00s, '10s

Although many musicians joined the band's rotating lineup, Bright Eyes was primarily the songwriting vehicle of Conor Oberst, a quivery-voiced Nebraska native who first attracted attention in 1994 — when he was only 14 years old — as the singer and guitarist for Commander Venus. Oberst proved to be a prolific musician, joining multiple bands (including Commander Venus, the Magentas, Park Ave., and Desaparecidos) while also co-founding Saddle Creek, an influential label that helped broadcast...
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