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We Get Requests (Originals)

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Avis sur l’album

Since several of the songs here are the type that would get requested (such as "People," "The Girl from Ipanema," and "The Days of Wine and Roses") in the mid-'60s, this particular Oscar Peterson CD reissue would not seem to have much potential, but the pianist mostly uplifts the material and adds a few songs (such as his own "Goodbye, J.D." and John Lewis' "D & E") that probably no one asked for. Overall, this is a reasonably enjoyable Oscar Peterson session, featuring bassist Ray Brown and drummer Ed Thigpen.

Avis des utilisateurs

you look good to me

Un des meilleurs morceaux de JAZZ !

UN CERTAIN IDEAL JAZZ

Assurément, l'un des rares albums de jazz dont même les plus réfractaires à la Note Bleue peuvent tomber amoureux!

.....

.....Tout à fait d'accord ! super solo de Ray Brown !

Biographie

Né(e) : 15 août 1925 à Montreal, Quebec, Canada

Genre : Jazz

Années d’activité : '40s, '50s, '60s, '70s, '80s, '90s, '00s

Oscar Peterson was one of the greatest piano players of all time. A pianist with phenomenal technique on the level of his idol, Art Tatum, Peterson's speed, dexterity, and ability to swing at any tempo were amazing. Very effective in small groups, jam sessions, and in accompanying singers, O.P. was at his absolute best when performing unaccompanied solos. His original style did not fall into any specific idiom. Like Erroll Garner and George Shearing, Peterson's distinctive playing formed during the...
Biographie complète

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