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We Are Motörhead

Motörhead

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The '90s witnessed a surprising and somewhat overlooked renaissance for Lemmy Kilmister and Motörhead, starting with 1991's 1916. The follow-up, March or Die, was woefully subpar and overly commercial, and many dismissed 1916 as a fluke and gave the band up for dead. However, Motörhead then embarked on a run of quality albums for smaller, lower-profile labels; Bastards, Sacrifice, and Overnight Sensation were surprisingly consistent, written and performed with conviction in the classic Motörhead style. The band slipped a bit with 1998's Snake B**e Love, but have thankfully stormed into the new millennium in top form. We Are Motörhead maintains the generally high standard of the band's second decade, and while there aren't many speed-freak theatrics (exception: opener "See Me Burning"), the grimy attitude that's always driven their best work is fully intact. Pared back down to a trio, Kilmister and company deliver a tight, blistering set that's both well-executed and typical of Motörhead's long since established sound. There are no real revelations here, except perhaps that Kilmister still hasn't lost anything to age; of course, longtime fans will be happy to have yet another fine Motörhead record to add to the collection.

Biographie

Formé(s) : 1975 à London, England

Genre : Rock

Années d’activité : '70s, '80s, '90s, '00s, '10s

Motörhead's overwhelmingly loud and fast style of heavy metal was one of the most groundbreaking styles the genre had to offer in the late '70s. Though the group's leader, Lemmy Kilminster, had his roots in the hard-rocking space rock band Hawkwind, Motörhead didn't bother with his old group's progressive tendencies, choosing to amplify the heavy biker rock elements of Hawkwind with the speed of punk rock. Motörhead wasn't punk rock — they formed before the Sex Pistols and they loved the hell-for-leather...
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We Are Motörhead, Motörhead
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