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Far Beyond These Castle Walls

Chris de Burgh

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Avis sur l’album

On Chris de Burgh's debut album, his gentle, beguiling vocal style is introduced, which instantly trademarks him as a genuine master of the soft ballad. de Burgh's engaging dominance of words and lyrics carries both his love songs and his simple light rock tunes to a higher level, thanks to the attention and care given to each of his pieces. As an inaugural album, the songs hold well as they are delicately cushioned by his voice, but are substantially thin where melody or appealing choruses are concerned. Both "Windy Night" and "Watching the World" draw the most attention, bringing de Burgh's silkiness to the focal point. "Satin Green Shutters" beautifully illustrates his knack for sounding sincere and charismatic within the boundaries of a love song. What is most important about this album is the manner in which it reveals de Burgh as one of the finest mood-invoking artists ever. Even the last song, entitled "Goodnight," ends the album with his lush voice still hovering in the air once the music has finished. While the lyrics and recipe of the songs themselves come across as rather nimble compared to future releases, it is here that he lets his song styling make a name for himself.

Biographie

Né(e) : 15 octobre 1948 à Argentina

Genre : Pop

Années d’activité : '70s, '80s, '90s, '00s, '10s

An art rocker who occasionally writes pop-oriented material, Chris de Burgh has never been as popular in his native Britain or the United States as he was in other areas of the world. In America, he's only managed two Top 40 hits — 1983's "Don't Pay the Ferryman" (number 34) and the number three ballad "The Lady in Red" (1986). In Britain, he's had the same number of Top 40 singles — "The Lady in Red" was a number one hit and "Missing You" peaked at number...
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Far Beyond These Castle Walls, Chris de Burgh
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