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Harry Potter and the Prisoner of Azkaban (Soundtrack from the Motion Picture)

John Williams

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Avis sur l’album

John Williams, when working within the realms of science fiction or fantasy, somehow manages to convey the same level of magic and whimsy inherent in Tchaikovsky's Dance of the Sugar Plum Fairy. For the first two Harry Potter films he employed an instantly memorable theme augmented by a series of elegant yet uninspired action motifs that while effortless were, like the films themselves, merely adequate. Harry Potter and the Prisoner of Azkaban finds the Oscar-winning composer swelled with a creative giddiness that hasn't been present for some time, resulting in a piece of work that's both fully realized and endlessly unpredictable. Beginning with the familiar celesta cue that launches each installment, Williams seems poised to deliver a solid reworking of the previous scores, but that sentiment is abruptly quelled by the jazzy, big-band one-two punch of "Aunt Margie's Waltz" and "The Knight Bus" — the latter borrows liberally from his outstanding Mancini-esque work on Catch Me If You Can. What follows is an intoxicating fusion of medieval-meets-Rossini-meets-Arvo Pärt mayhem that recalls his Close Encounters of the Third Kind heyday. Director Alfonso Cuaron's youthful enthusiasm has had an effect on Williams, and nowhere is that more apparent than on "Double Trouble," a devious choral piece cleverly built around the prose of Shakespeare's Macbeth and devilishly sung by the London Oratory School Schola Children's Choir. It's this melody, culled from bits and pieces of "Hedwig's Theme" from The Sorcerer's Stone, that permeates the entire score. Williams has a deep understanding of the orchestra, and his love of woodwinds is on glorious display throughout the work's entirety, but they never overplay — as was often the case in the previous two films — even the thunderous Kodo-style tympanis that introduce the Hypogriff "Buckbeak" are merely exclamation points announcing the arrival of one of the composer's most beautiful melodies. The Prisoner of Azkaban is thought by many to be the finest book in the series, and it would seem that both the director and the composer agree. Like Cuaron and Rowling, Williams meets his characters — children especially — on common ground, allowing them to laugh, suffer, fail, and succeed on their own terms. He may be the author and director's emotional conduit, but he's a master storyteller as well.

Avis des utilisateurs

Attention, chef d'oeuvre !!!

C'est simple : cette BO est absolument MAGNIFIQUE !!! Tel Harry Potter qui, dans le film, fait ses premiers pas dans l'adolescence, les thèmes ont "mûri". John Williams explose le niveau musical qu'il a établi dans les 2 premiers films : écoutez "Buckbeat's Flight", et vous verrez : le morceau vaut à lui seul l'acquisition de l'album. Sans doute l'une des meilleurs compositions que le maître ait réalisé ...

Magique

En tant que très grand fan des films Harry Potter, je me dois de commenter cet album! Je trouve le travaille de John Williams très bien accompli! À travers cet album dont les musiques sont à la foi entrénantes mais aussi reposantes nous retrouvons toute la magie du film! C' est un album que je recommande d' acheter aux personnes qui veulent se détendre! De plus pas besoin d' être fan des films pour aimer l' album! Voilà... À plutard

écoutez Buckbeak's flight ! magnifique !

Cet album est superbe pour les fans de Harry qui retrouvent les scènes du film en écoutant cette musique, mais elle reste tout aussi magnifique pour les autres! La plus belle:Buckbeak's Flight !!! N'hésitez pas c'est de la très bonne musique qui me fait frissonner !!!

Biographie

Né(e) : 8 février 1932 à Flushing, NY

Genre : Bande originale

Années d’activité : '50s, '60s, '70s, '80s, '90s, '00s, '10s

The most popular film composer of the modern era, John Williams created music for some of the most successful motion pictures in Hollywood history — Star Wars, E.T. the Extra Terrestrial, and Jurassic Park are just three of the credits in his extensive oeuvre. Born February 8, 1932, in Long Island, NY, he was himself the son of a movie studio musician, and he followed in his father's footsteps by studying music at UCLA and Juilliard; initially, he pursued a career as a jazz pianist, later working...
Biographie complète

Classement albums et morceaux de : John Williams

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