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Return to Cookie Mountain

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Avis sur l’album

As passionate as ever, but with a little more polish, TV on the Radio give their unapologetically ambitious sound room to breathe with a lush, expansive production on Return to Cookie Mountain. The sonic depth throughout the album is a sharp contrast with the density of their first full-length, Desperate Youth, Blood Thirsty Babes, which was so jam-packed with sounds and ideas that it was nearly suffocated by them. However, Return to Cookie Mountain is hardly slick or dumbed down for mass consumption. In fact, the opening track, "I Was a Lover," is one of the band's most challenging songs yet, mixing a stuttering hip-hop beat with guitars of Loveless proportions and juxtaposing inviting vocal harmonies and horns with glitches and trippy sitars. "Playhouses" is only slightly less radical, with its wildly syncopated drumming and Tunde Adepimbe's layered, impassioned singing. At times, Return to Cookie Mountain threatens to become more impressive than likable — a complaint that could arguably be leveled against Desperate Youth as well — but fortunately, TV on the Radio reconnect with, and build on, the intimacy and purity that made Young Liars so striking. David Bowie's backing vocals on "Province" are only one part of the song's enveloping warmth, rather than its focal point, while the album's centerpiece, "A Method," is another beautiful example of the band's haunting update on doo wop. Meanwhile, the mention of "the needle/the dirty spoon" on "Tonight" cements it as a gorgeous but unsettling urban elegy. As with all their other work, on Return to Cookie Mountain TV on the Radio deal with the fallout of living in a post-9/11 world; politics and morality are still touchstones for the band, particularly on the anguished "Blues from Down Here" and "Hours," on which Adepimbe urges, "Now listen to the truth." Notably, though, the album builds on the hopeful, or at least living-for-the-moment, vibe that emerged at the end of Desperate Youth, Blood Thirsty Babes. The sexy, funky "Wolf Like Me," which is the closest the album gets to rock in any conventional sense of the term, and "Dirtywhirl," which spins together images of girls and hurricanes, offer erotic escapes. And by the time the epic final track, "Wash the Day," revisits the sitars that opened the album with a serene, hypnotic groove, Return to Cookie Mountain gives the most complete representation of the hopes, joys, and fears within TV on the Radio's music.

Avis des utilisateurs

Urgence de vie

TV on the radio confirme après le très prometteur premier album. On ressent une urgence et un plaisir continu à écouter ce nouvel album. Des titres comme "Blues from down here", "Wolf like me" ou envore "Dirty Whirl" mériteraient de passer sur les ondes françaises pour faire découvir au plus grand nombre ce mélange inouï de soul, blues, rock et même électro. A n'en pas douter, un des albums 2006. N'HESITEZ PAS! et PRENEZ LE TEMPS D'ECOUTER ET DE REECOUTER TOUS LES TITRES!

Best of 2006

Bel album, et sans doute une immense découverte pour quiconque ne connaissait pas encore leurs précédents disques. Ce que j'avais adoré de leur 1er album, ce goût pour les coeurs doo-wop (allant jusqu'à proposer un chef-d'oeuvre a capella), semble mis de côté ici. Restent la rage, le tour politico-cryptique des paroles, la savante intégration de l'électronique...

album genial - le booklet serait de bonne augure !!!

effectivement l'album est excellence mais le booklet papier livré avec le cd du commerce est excellent lui aussi, dis mois monsieur Itunes tu peux pas m'en mettre plus souvent des booklet pdf ???

Biographie

Formé(s) : 2001 à Brooklyn, NY

Genre : Alternative

Années d’activité : '00s, '10s

From their beginnings as Brooklyn-based experimenters to one of the most acclaimed bands of the 2000s and 2010s, TV on the Radio mixed post-punk, electronic, and other atmospheric elements in vibrantly creative ways, and are both visual artists as well as musicians. The group began when multi-instrumentalist/producer David Andrew Sitek moved into the building where vocalist Tunde Adebimpe had a loft; each of them had been recording music on his own, but realized their sounds worked well together....
Biographie complète