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Improvised. Electronic. Device.

Front Line Assembly

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Avis sur l’album

With longtime on-again, off-again member Rhys Fulber falling into the latter category, Front Line Assembly’s 2010 effort is the kind of “evolution” — or maybe “growing pains” — album that will be familiar to veteran fans. Here FLA constant Bill Leeb is joined by Jeremy Inkel, Chris Peterson, and Jared Slingerland for a four-piece “band” version of the project. It makes complete sense on numbers like “Angriff,” “Release,” and “Pressure Wave,” all of which could be passed off as metal-industrial juggernauts Rammstein singing in English. While these guitar-heavy and lurching tracks are satisfying, the best moments are either rooted in classic FLA formula (the electro-industrial club monster “Shifting Through the Lens,” the icy cold landscape “Downfall”) or come from the band’s returning appreciation of both the experimental and difficult (the spooky robot anthem “I.E.D.,” the shotgun blast called “Stupidity” with guest vocalist Al Jourgensen). Having navigated these mixed bags before, longtime listeners should be more than willing to dive in. They’ll be rewarded with a heavy handful of reminders of why they signed on in the first place.

Avis des utilisateurs

excellentissime

toujours excellent ce groupe, entre electro dark et riffs métal indus, agressif et dansant à la fois..

Biographies

Formé(s) : 1986 à Vancouver, British Columbia, Cana

Genre : Électronique

Années d’activité : '80s, '90s, '00s

Front Line Assembly was the best known of the various electronic music projects undertaken by the prolific Vancouver-based duo of Bill Leeb (vocals, synthesizers) and Rhys Fulber (synthesizers, samplers). After working in the mid-'80s under the pseudonym Wilhelm Schroeder with Skinny Puppy, the Austrian-born Leeb formed the industrial/techno-based Front Line Assembly in 1986 with Fulber — who initially joined on as a studio assistant — and synth player Michael Balch. After a handful of...
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Improvised. Electronic. Device., Front Line Assembly
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