Ouverture de l’iTunes Store en cours…Si iTunes ne s’ouvre pas, cliquez sur l’icône de l’application iTunes dans votre Dock Mac ou sur votre bureau Windows.Progress Indicator
Ouverture de l’iBooks Store.Si iBooks ne s’ouvre pas, cliquez sur l’app iBooks dans votre Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

iTunes est introuvable sur votre ordinateur. Pour écouter des extraits et acheter des morceaux de « No Time for Dreaming » par Charles Bradley & Menahan Street Band, téléchargez iTunes.

Vous avez déjà iTunes ? Cliquez sur « J’ai déjà iTunes » pour l’ouvrir dès maintenant.

I Have iTunes Téléchargement gratuit
iTunes pour Mac et PC

Ouvrez iTunes pour écouter des extraits, acheter et télécharger de la musique.

Avis sur l’album

On first spin, most listeners won't be able to tell that gutsy soul singer Charles Bradley's Daptone debut wasn't recorded in the late '60s and dusted off for release in early 2011. Subsequent plays reveal subtleties in production and instrumentation that might tip off some, but for the rest, this is a remarkable reproduction of the sound of classic Southern soul. Its combination of Stax and Muscle Shoals grease and grit are captured in what can only be called "the Daptone sound." Horns, percussion, background vocals, vibraphone, and rhythm guitar form a cozy, often sizzling blanket that Bradley wraps himself in. His grainy, lived-in vocals are straight out of the James Brown/Wilson Pickett school; comfortable with both the gospel yearning of slower ballads but ready to make the leap to shouting, searing intensity without warning. The yin-yang between Bradley and his players would be impressive even if the material wasn't as top-shelf as these dozen songs are. All three working in tandem yield a perfect storm of an R&B album, one with clear antecedents to the genre's roots with new songs that are as powerful and moving as tunes from the music's classic era. The band even gets its own showcase on the instrumental, Latin-tinged "Since Our Last Goodbye," perhaps an unusual inclusion on a vocalist's album, but one that strengthens the connection between the backing group and its singer. Bradley has had a tough life, knocking around for years as a lounge act doing covers until the Daptone folks came calling with fresh material and their patented production. That history is evident in every note he sings; pleading, begging, and testifying with a style that few contemporary vocalists can muster without lapsing into parody. Lyrically the material is a mix of the socio-political ("The World Is Going Up in Flames," "Golden Rule"), heartbroken romance ("I Believe in Your Love," "Heartaches and Pain"), and the joys of true love ("Lovin' You Baby"). Some tunes are more personal, especially "No Time for Dreaming" where he's telling himself to get serious about his career, and in "Why Is It So Hard," as he delivers a capsule history of his life-long difficulties. Even if the concepts appear shopworn, the music and performances are vibrant and alive with arrangements that are innovative yet informed by their roots. Retro-soul aficionados who claim they don't make ‘em like they used to will obviously be thrilled with this, but even contemporary R&B fans can't help but be moved by the emotion and passion evident in every note of this riveting set.

Avis des utilisateurs

Bonne surprise de l'année

Après avoir écouter c'est difficile de ne pas citer des références comme Otis Redding, ou James Brown à son style musicale et scenique.
Son charisme fait beaucoup sur l'album, la voix soul est preneuse et respire le son d'époque comme on en fait plus.
Le groupe Menahan street band est vraiment en accord tout le long, tout est parfait.
A écouter, à acheter, à voir sur scène ...

ca fait plaisir

cool tracks

Je recommande très fortement.

Après avoir adoré l'album instrumental des menahan street band, j'ai découvert Charles bradley en live à la maroquinerie sans savoir qu'il était accompagné du groupe et que ses sa voix était posée sur les morceaux de groupe new yorkais. Ça fonctionne vraiment, l'énergie de cet homme et le flow de ce groupe nous transporte dans l'univers soul des années 60. À acheter impérativement et surtout à aller voir en live, car ce Charles bradley, mérite enfin la reconnaissance de son talent !


Né(e) : 1948 à Gainesville, FL

Genre : R&B/Soul

Années d’activité : '00s, '10s

Soul and R&B singer Charles Bradley definitely didn’t arrive as a recording artist by taking the easy route. Born in Gainesville, Florida in 1948, but raised in Brooklyn, New York, Bradley spent a good part of his childhood living on the streets. A transformational moment came when his sister took him to see James Brown at the Apollo in 1962. Bradley was struck by Brown's energy and stage manner, and began practicing microphone tricks with a broom at home, dreaming of being a star on his own...
Biographie complète