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There's no doubting the remarkable power of Nusrat's voice, with its ability to transport the listener as he transports himself. These two albums (the first from 1995, the second a posthumous collection from 1999) offer the full range of his traditional music, although the former is more adventurous than the latter, with some soaring vocal work and sterling support from his group, or "party." Even though one eclipses the other, that's not to say the second disc is bad, by any means; there's some remarkable work on it, although Nusrat doesn't sound at the peak of inspiration he's hit elsewhere on disc. There's some excellent harmonium playing from Farrukh Fateh Ali Khan, who also leads the party in its vocal backing, and the tablas are insistent, but never overwhelming. The focus remains firmly on Nusrat and his stratospheric flights of vocal fancy. Excellent stuff indeed.


Né(e) : 13 octobre 1948 à Lyallpur, Pakistan

Genre : Musiques du monde

Années d’activité : '70s, '80s, '90s

Without doubt the most important qawwal is Nusrat Fateh Ali Khan & Party — "Party" is a generic term for a qawwali ensemble but is also used in Sikhism and to describe some classical music ensembles, for example, shehnai maestro Bismillah Khan & Party. Dubbed Shahen-Shah-e-Qawwali (the Brightest Star in Qawwali), he was born on October 13, 1948, in Lyallpur in the Punjab Province of Pakistan. He made his first recording in 1973 in Pakistan and a number of early EMI (Pakistan) albums...
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Back to Qawwali / Nusrat Forever, Nusrat Fateh Ali Khan
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