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New Seasons

The Sadies

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Avis sur l’album

It's almost disorienting to imagine that a band as good as the Sadies can still find room to improve each time they go into the studio, but Canada's greatest contribution to Americana since Blue Rodeo have been consistently topping themselves with each new album, and their sixth, New Seasons, is another triumph. It should come as no surprise that the Sadies are in superb instrumental form here and demonstrating an effortless mastery of a range of different sounds and styles; "What's Left Behind" is a superb evocation of the late-period Byrds with guitar work that would make Clarence White envious, "The Trial" is a deeply atmospheric Southern gothic tale with just the right degree of ominous atmosphere, "A Simple Aspiration" could pass for a lost Paisley Underground classic with its subtly psychedelic guitar figures, "The Land Between" is simply gorgeous folk-rock, and the opening bluegrass breakdown makes you wish these guys had let listeners hear more than 48 seconds of it. But for a band that used to prefer playing instrumentals over approaching the vocal mike, brothers Dallas Good and Travis Good have learned to sing nearly as well as they play guitar, and their harmonies add another layer of beauty and mystery to their music. The group's songwriting continues to impress, with the heartbroken "Sunset to Dawn" and "The Trial" sounding uncannily like lost country classics and the two-part "The Last Inquisition" showing they know how to write a good scary guitar figure for themselves. While ex-Jayhawk Gary Louris helped produce New Seasons, precious little of his influence is audible here; the Sadies have created a powerful and evocative sound on their previous albums, and with New Seasons they've given that sound its ideal definition.

Avis des utilisateurs

Post-Flyte

Vous rêviez d'une suite, 40 ans après, à "Notorious Byrd Brothers" ? Les Sadies l'ont fait. Oubliez Arcade Fire et tous les collectifs canadiens, le meilleur groupe à feuille d'érable de la dernière décennie, c'est eux. Neko Case, Heavy Trash (Jon Spencer & Matt Verta-Ray), Jon Langford (Mekons) ou André Williams l'on bien compris, en les choisissant comme backing band de luxe. Ne passez pas à côté des somptueux entrelacs de guitare des biens nommés frères Good et de leurs chaleureuses harmonies fraternelles, par ailleurs songwriters envoutants. Le disque le plus fluide que j'ai entendu depuis longtemps, et une perle d'alt-country-rock habité, pour ne pas dire hanté.

Biographie

Formé(s) : 1994 à Toronto, Ontario, Canada

Genre : Alternative

Années d’activité : '00s, '10s

One of the most accomplished bands to emerge from the North American indie and roots rock scene, the Sadies are an eclectic group led by brothers Dallas Good and Travis Good, who've crafted a distinctive sound, absorbing influences from traditional country, surf music, and garage rock, and bending it into something unique with their estimable instrumental skills. Hailing from Toronto, Dallas and Travis came from a musical family; their father Bruce Good and uncles Brian Good and Larry Good were members...
Biographie complète
New Seasons, The Sadies
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