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Open Air

Tom Harrell

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Avis sur l’album

Recorded only five months after Moon Alley, Tom Harrell's Open Air is a good, if not particularly inspiring album made by what was essentially Phil Woods' band with Rockwell substituting for the leader on tenor. The material on Open Air is a strong program of Harrell originals and standards. The writing, as is generally the case with Harrell's albums, is first-rate throughout. The title track, a wonderfully lyrical waltz with an unusual form, is one of the strongest compositions in the trumpeter's impressive songbook. With the exception of Harrell, who sounds strong and focused throughout, the performances on Open Air are slightly disappointing. Tenor saxophonist Bob Rockwell's rather technical, calculated delivery contrasts somewhat akwardly with Harrell's highly melodic approach. And although the rhythm section is fine throughout, they don't achieve the cohesive intensity they would often find on many of Phil Woods' records. Although not a bad record by any means, this isn't the place to start in Harrell's discography.

Biographie

Né(e) : 16 juin 1946 à Urbana, IL

Genre : Jazz

Années d’activité : '80s, '90s, '00s, '10s

A first-rate trumpet soloist, generally considered by many musicians to be the top hard bop trumpeter of the 1980s and '90s, Tom Harrell has performed in a distinguished fashion for several bandleaders. His style mixes together the power of Clifford Brown with the lyricism of Chet Baker. Harrell grew up in Northern California and toured with Stan Kenton (1969), Woody Herman (1970-1971), and Horace Silver (1973-1977). He moved to New York...
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Open Air, Tom Harrell
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