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Notes – iTunes

This is the second release by established legend Pat Metheny on guitar and emerging giant Brad Mehldau on piano, and it’s a stunner. Both players have previously proven how edgy and adventurous they can be, but they mostly tread the subtle and sophisticated route here, focusing on strong compositions, melodic improvisation, and the exchange of sympathetic solos at tempos ranging from light speed to slow burn. The title is not entirely accurate—only seven of the 11 songs actually feature the quartet—but while the four duets are undoubtedly gorgeous, particularly the tender “So Much Music Everywhere,” with its powerful build-up and release, it’s as a quartet that they truly shine. Rooted by the astonishing rhythm section of bassist Larry Grenadier and drummer Jeff Ballard, both of whom play regularly with Mehldau, Metheny and Mehldau create imaginative and textured soundscapes that are engaging, intensely focused, and never predictable, and the result is a beautiful and stirring piece of work that lives up to the superstar pairing. And now that Metheny and Mehldau are Nonesuch Records labelmates, perhaps we can expect, and hope for, further collaborations.

Avis des utilisateurs

Quelle critique ?

Est-ce bien la critique du bon album ? S'agit-il de Brad Mehldau ou de Lyle Mays ?

A really great album again!

A really great album! I've nothing to add ... exept that the introduction comments are not the appropriate ones for this album! These are the same than the ones used for the "Pat Metheny Group Quartet" album. (I highly recommend this album too!)

Il y a une erreur manifeste entre la couverture, l'année du disque et sa description.

C'est soit Lyle Mays au piano comme le dit la description soit Brad Mehldau au piano, mais pas les deux!

Biographie

Né(e) : 23 août 1970 à Jacksonville, FL

Genre : Jazz

Années d’activité : '90s, '00s, '10s

During the '90s and into the 2000s, Brad Mehldau was one among a plethora of young jazz pianists who rose to prominence. He is one of the more absorbing and thoughtful practitioners within that idiom, and he is receptive to the idea of using material from the rock era (Paul McCartney's "Blackbird," for example). Though Mehldau's training is primarily classical, his interest in jazz began early. He played in the Hall High School jazz band of Hartford, Connecticut, winning the Berklee College of Music's...
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Quartet, Brad Mehldau
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