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Ramblin'

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Ramblin' comes from an adventurous period in Paul Bley's career, at a time when he was associated with some of the more avant-garde elements. His playing often takes an attractively aggressive approach, which he tempered in later years. There is his characteristic emphasis on the beauty of the single note. The gorgeous, lush sounds on "Albert's Love Theme," for example, or the slow, beautiful, expressive take on Annette Peacock's "Touching" are filled with enormous depth. Carla Bley's "Ida Lupina" is given a sophisticated treatment that emphasizes tonal bliss. As with all Bley recordings, this one takes close listening to appreciate its subtleties, but the joy is well worth the effort. Barry Altschul is spectacular on drums, with effective polyrhythmic support, and bassist Mark Levinson fits perfectly into the mix.

Biographie

Né(e) : 10 novembre 1932 à Montreal, Quebec, Canada

Genre : Jazz

Années d’activité : '50s, '60s, '70s, '80s, '90s, '00s, '10s

Pianist Paul Bley, whose earliest recordings sound like Al Haig or Bud Powell, took the styles and techniques associated with Oscar Peterson, Wynton Kelly and Bill Evans to new levels of creative experimentation, becoming an indispensable force in modern music by combining the best elements in bop and early modern jazz with extended free improvisation and procedural dynamics often found in 20th century chamber music. This approach places him in league with artists as diverse as Red Garland, Elmo...
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Ramblin', Paul Bley
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