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Love and Distance

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The Helio Sequence's first two albums were dense, exciting blasts of noise, melody, and electronic wildness that seemed to jump out of the speakers. Their third album, Love and Distance, is still fairly loud, dreamy rock, but the wall of sound has been pared back and the vocals have been brought to the forefront. Instead of dreamily floating along with the waves of noise, now Brandon Summers grittily shouts over the top. The guitars no longer howl and crash about; they are layered carefully and applied cautiously. Instead of sounding like the teenage spawn of My Bloody Valentine and Mouse on Mars, now they sound like a cousin to Radiohead. The closing "Looks Good (But You Looked Away)" is the kind of cosmic country that Beachwood Sparks do so well, with a very nice laid-back, outer space feel. Maybe to a fresh set of ears, Love and Distance might sound like an interesting take on the whole modern Radiohead-y guitar rock with electronics thing, and this is certainly better than South or Elbow. Chalk it up as a holding pattern on the way to something else, and maybe even a "grower."

Biographie

Formé(s) : 1999 à Portland, OR

Genre : Alternative

Années d’activité : '00s, '10s

The Portland-based duo Helio Sequence is comprised of vocalist/guitarist Brandon Summers and keyboardist/drummer Benjamin Weikel. Debuting in 1999 with an ambient, psychedelic sound that placed as much emphasis on the guitar as Summers' muted vocals, the band issued the Accelerated Slow-Motion Cinema EP before dropping the full-length Com Plex in 2000. Helio Sequence's 100-percent home studio approach allowed for a lot of sonic experimentation, and that aesthetic informed the swirls and layers of...
Biographie complète
Love and Distance, The Helio Sequence
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