iTunes

Ouverture de l’iTunes Store en cours…Si iTunes ne s’ouvre pas, cliquez sur l’icône de l’application iTunes dans votre Dock Mac ou sur votre bureau Windows.Progress Indicator
Ouverture de l’iBooks Store.Si iBooks ne s’ouvre pas, cliquez sur l’app iBooks dans votre Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

iTunes est introuvable sur votre ordinateur. Pour écouter des extraits et acheter des morceaux de « Self Portrait » par Lalah Hathaway, téléchargez iTunes.

Vous avez déjà iTunes ? Cliquez sur « J’ai déjà iTunes » pour l’ouvrir dès maintenant.

I Have iTunes Téléchargement gratuit
iTunes pour Mac et PC

Self Portrait

Ouvrez iTunes pour écouter des extraits, acheter et télécharger de la musique.

Avis sur l’album

Had Lalah Hathaway's third and fourth solo albums been separated by a gap in time equal to the one between her second and third, Self Portrait would not have come out until 2014. But it arrived six years earlier, in time for her to connect with the rejuvenated Stax label, home of Angie Stone. The set reunites Hathaway with Rex Rideout, the producer/songwriter who worked with the singer on "Forever, for Always, for Love," the title cut of the Luther Vandross tribute album that appeared in 2004. Rideout is the primary collaborator, with his input on half of the songs, while kindred spirits Rahsaan Patterson and Sandra St. Victor also contribute to a handful of tracks. More mellow and unified than 2004's Outrun the Sky, the album maintains a steady flow, whether the backdrops feature midtempo dance rhythms and horns, deep basslines and finger snaps, or acoustic guitars and glistening keyboards. Nothing is bound to jump out of the speakers and pull you around the room, but there's an unshakable lingering effect with nearly every song. More than anything, the album helps bring back the art of the subtly seductive slow jam, despite the lyrical range, which covers personal issues almost as frequently as relationships. Slowest and most stunning is the closer, "Tragic Inevitability," co-produced with Manuel Hugas, Wiboud Burkens, and Anthony Jeffries; it's a breakup song ("It hurts me so/And I will not be consoled"), but no one will be doing any kind of separating while the song is within earshot. In the liners, check the random jabs at vocalists who, unlike Hathaway herself, require studio enhancements: "Pitch is the new black"; "Auto tune this!" She uses some effects of her own here, but they are used for effect, not as a corrective device. In total control of her voice at all times, she has never been prone to showing off for the sake of it, so it is easy to not fully appreciate just how exceptional she is.

Biographie

Né(e) : 16 décembre 1968 à Chicago, IL

Genre : R&B/Soul

Années d’activité : '90s, '00s, '10s

The daughter of the great Donny Hathaway, Lalah Hathaway made a good impression with her debut recording, Lalah Hathaway, in 1990. She not only displayed poise, confidence, and good technique, but was also versatile enough to do more than just light urban contemporary ballads. Her stage shows included jazz, pre-rock pop, and even gospel, and Hathaway later appeared on BET doing jazz and fusion. After her second and final album for Virgin, 1994's A Moment, she went on a lengthy hiatus, returning in...
Biographie complète
Self Portrait, Lalah Hathaway
Afficher sur iTunes

Note

Nous n’avons pas reçu suffisamment de notes pour afficher la moyenne de cet article.

Précurseurs

Ses contemporains