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Tone Soul Evolution

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Avis sur l’album

The second full-length album by the Apples in Stereo isn't as surprising as their debut, 1995's Fun Trick Noisemaker, but it doesn't sound like simply more of the same. Graced with a larger budget and access to a fully equipped 24-track recording studio for the first time, the group (particularly singer/songwriter/producer Robert Schneider) is working with a much larger canvas now, and it shows. The sound of this album is just remarkable, as layered as any of Jeff Lynne's mid-'70s Electric Light Orchestra albums, but with a freshness and energy that keeps things from merely sounding slick. Schneider explores his fascination with Smile-era Brian Wilson on atmospheric linking tracks like "The Silvery Light of a Dream" and the album's wordless coda, giving the record a sonic unity arguably missing from the all-over-the-map Fun Trick Noisemaker. The one flaw is that the songwriting is not quite up to the consistency of the debut; while songs like "You Said That Last Night," "Seems So," and especially "Shine a Light" are exemplary, there are a couple of tracks that have a whiff of filler about them. Aside from that, Tone Soul Evolution is a fine follow-up.

Biographie

Formé(s) : 1993 à Denver, CO

Genre : Alternative

Années d’activité : '90s, '00s

Sunny pop band the Apples in Stereo were one of the leading lights of the Elephant 6 Recording Company collective, a coterie of likeminded lo-fi indie groups — including the Olivia Tremor Control, Neutral Milk Hotel, and Secret Square — who shared musicians, ideas, and sensibilities. They were led by singer/songwriter Robert Schneider, a native of the tiny town of Ruston, LA, also home to Jeff Mangum (later of Neutral Milk Hotel) as well as William Cullen Hart and Bill Doss (who formed...
Biographie complète