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Skull & Bones

Cypress Hill

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Avis sur l’album

Despite the best efforts of DJ Muggs, Cypress Hill ran out of gas fairly quickly, entering a tailspin as soon as their third album. Back at full strength with the return of Sen Dog, Cypress Hill devised a full-scale comeback with their fifth album, Skull & Bones. The idea behind the album was to divide it into two — a hip-hop disc ("Skull") and a rock disc ("Bones"). This would guarantee some publicity, at the very least, and, hopefully, it would win over the new generation of adolescents who flipped for rap-metal acts like Kid Rock and Limp Bizkit. On paper, it's a sound theory, but there was a slight flaw — the group is kind of lame when they rock. Their band is competent enough, and B Real's voice does sound good with overdriven guitars, but their rock songs utterly fall apart, since they have no hooks, no catchy riffs, and no character. If rap-metal was all there was to Skull & Bones, it would be a bit of an embarrassment. Fortunately, the "Skulls" disc is their finest effort since Black Sunday. Muggs is in prime form, creating funky, ominous, evocative soundscapes, which B Real makes the most of with fluid rhymes. At times, B Real does descend into tastelessness ("Stank Ass Hoe"), and neither he nor Sen Dog really find any new lyrical ground, but sonically, "Skulls" is a blast; B Real's whine and Sen Dog's gruff, blunt style are the perfect match for Muggs' darkly cinematic soundscapes, and, on a purely sonic level, it's quite intoxicating. At their best, Cypress Hill are a hip-hop experience unlike any other, and, ignoring the "Bones" disc, this is the best they've been in a long, long time.

Avis des utilisateurs

Skull & Bones

Un album dément de la part de Cypress ! Le premier disque, spéciale hip-hop est d'une excellente qualité (surtout (Rap) Superstar), le deuxième spéciale métal est plutôt réussi sachant que ce n'est par leurs style d'origine, et le (Rock) Superstar prend encore plus en puissance avec l'arrivée des guitares. Un album indispensable dans toutes bibliothèques musicales (j'ai bouffé le nom ^^)

Biographies

Formé(s) : 1988 à Los Angeles, CA

Genre : Hip-hop/Rap

Années d’activité : '80s, '90s, '00s, '10s

Cypress Hill were notable for being the first Latino hip-hop superstars, but they became notorious for their endorsement of marijuana, which actually isn't a trivial thing. Not only did the group campaign for its legalization, but their slow, rolling bass-and-drum loops pioneered a new, stoned funk that became extraordinary influential in '90s hip-hop — it could be heard in everything from Dr. Dre's G-funk to the chilly layers of English trip-hop. DJ Muggs crafted the sound, and B Real, with...
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Skull & Bones, Cypress Hill
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