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So Flows the Current

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Avis sur l’album

So Flows the Current is one of Patrick O'Hearn's most consistent CDs. The consistency is in the quality. O'Hearn is not one to be tied to one style. This highly recommended CD comes on the heels of some of his work with Steve Roach, whose influence shows in the music's attitudes: This is bolder and has more bravado than most of O'Hearn's other work. He blends electronic and acoustic instruments seamlessly. His deft touch runs the gamut from dark ambient to symphonic synthesizers to new age anthems — and then to the last three tracks on the disc, which are quite simply the best work that he has done. There are vague references to desert ambience, but these are unique compositions and definitely O'Hearn's; it is his take on electro-tribal ambience. It is deep, dark, and unlike anything he has done before. The tracks represent about one fourth of the disc, and they alone make this an essential CD.


Né(e) : 6 septembre 1954 à Los Angeles, CA

Genre : New age

Années d’activité : '80s, '90s, '00s, '10s

An unlikely new age stalwart and musical renaissance man, composer/multi-instrumentalist Patrick O'Hearn started his career as a prominent jazz bassist (Charles Lloyd, Dexter Gordon), then became a Frank Zappa sideman, and later found fame as the bass player/synthesist for new wave group Missing Persons. Turning to electronic music, his first album of keyboard instrumentals, Ancient Dreams, was produced by Peter Baumann and released in 1990 on Private Music, Baumann's own label. O'Hearn signed to...
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So Flows the Current, Patrick O'Hearn
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