iTunes

Ouverture de l’iTunes Store en cours…Si iTunes ne s’ouvre pas, cliquez sur l’icône de l’application iTunes dans votre Dock Mac ou sur votre bureau Windows.Progress Indicator
Ouverture de l’iBooks Store.Si iBooks ne s’ouvre pas, cliquez sur l’app iBooks dans votre Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

iTunes est introuvable sur votre ordinateur. Pour écouter des extraits et acheter des morceaux de « Figments of Emancipation (feat. Richard Strange) » par Doctors of Madness, téléchargez iTunes.

Vous avez déjà iTunes ? Cliquez sur « J’ai déjà iTunes » pour l’ouvrir dès maintenant.

I Have iTunes Téléchargement gratuit
iTunes pour Mac et PC

Figments of Emancipation (feat. Richard Strange)

Doctors of Madness

Ouvrez iTunes pour écouter des extraits, acheter et télécharger de la musique.

Avis sur l’album

Starved for affection, yet marching deliriously on, the most critically cudgeled British band of 1976 released their second album just six months after their debut Late Night Movies, All Night Brainstorms, almost as if they'd never read a word that had been written about them. And certainly as if they never cared about any of them. Figments of Emancipation is so much the son of its predecessor that the two could have been recorded in tandem. They were certainly written so — most of the album was present in the Doctors of Madness' live set even before they recorded Brainstorms. Whereas that album haunted the city of the damned, however, Figments is a less modest and, in consequence, considerably less inhumane set. The self-aggrandizing "Doctors of Madness" is an arrogantly swaggering sucker punch, while the sharp segue between the opening "Brothers" and "Suicide City" effortlessly echoed the medley effect which conjoined Late Night Movies' opening suite — only without the sweeter passages to lighten the lurch. There's also room for a couple of love songs, however, and even beneath its affirmative surface, "Perfect Past" is nothing short of gorgeous tenderness. "Marie and Joe," on the other hand, packs a heartbreak so real it has to be autobiographical, and a pain so bitter that you're not sure you didn't live it yourself. Where Figments falls down, then, is not in the songs, but in a less easily definable manner — the sense that it really was simply offcuts from the debut, neither conceived nor initially intended to be placed together on a single platter. By that token, its U.S. release as one half of a double album (accompanied by Brainstorms, under the title Doctors of Madness) probably makes more sense, although one cannot help but wonder — the Brits didn't care for the Doctors of Madness, and the band was one of their own. What were the chances of America proving any more accommodating? [Ozit's 2002 reissue included two bonus tracks.]

Biographies

Formé(s) : 1974 à London, England

Genre : Rock

Années d’activité : '70s, '80s

When the Doctors of Madness broke up in fall 1978, the event was scarcely noticed and barely mourned. Within three years, however, and with the band still firmly in their grave, the group was being heralded not only as one of the crucial landmarks of the mid-'70s transition from glam rock to punk, but also as founding fathers of the latest musical convolution to shake the British landscape. Quite conceivably, the entire Futurist/electro movement of the age, that which thrust the likes of Ultravox,...
Biographie complète
Figments of Emancipation (feat. Richard Strange), Doctors of Madness
Afficher sur iTunes

Note

Nous n’avons pas reçu suffisamment de notes pour afficher la moyenne de cet article.

Précurseurs

Ses contemporains