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The Last Temptation of Reid

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Avis sur l’album

On paper, the collaboration between Jello Biafra and Ministry seems like a match made in industrial punk heaven, and thankfully the first release from Lard lives up to these expectations. Both parties seemed to have taught the other side a thing or two: Jello Biafra is more focused than usual, while Alain Jourgensen and Paul Barker from Ministry sound a lot more punky and loose. The percussion, courtesy of Bill Rieflin and the late Jeff Ward, is firmly in an industrial style, though — all mechanized metallic thrashing, but it works just fine with the material. The standout track is "Forkboy," the album's opener, a frantic guitar workout with Biafra's righteous anger coming through loud and clear. The rest of the album isn't quite as strong, but it's still better than anything Biafra and Ministry have done in later years.

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Déjanté

Si on ne devait que garder un titre de cet album Lard ça serai: 'Can God fill Teeth': c'est le délire total.

Biographie

Formé(s) : 1988 à Chicago, IL

Genre : Alternative

Années d’activité : '80s, '90s, '00s

Lard is one of several sometime-side projects helmed by the Ministry duo of Al Jourgensen (guitar) and Paul Barker (bass) — in this case, notably fronted by legendary Dead Kennedys singer Jello Biafra, along with, initially, drummer Jeff Ward. Founded in 1988, Lard was first brought to the public's attention via the following year's The Power of Lard EP, and even more so by 1990's inaugural full-length The Last Temptation of Reid. Both featured a unique blend of industrial and punk, matched...
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The Last Temptation of Reid, Lard
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