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Ask the Night

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When Azure Ray disbanded in 2004, Orenda Fink had little trouble regaining her balance. The songwriter had already juggled multiple bands during her golden years with Maria Taylor, and she continued bouncing from project to project after the split, exploring Haitian music with her 2005 solo debut and wrapping herself in lush pop arrangements during her lone album with Art in Manila. Released several years later, Ask the Night finds Fink in a rare state: restful, leisurely, and unadorned. This is a stripped-down album, devoid of computers and electronics of any kind, and Fink uses the opportunity to flex her muscles as a competent Southern Gothic-styled songwriter. Flanked by little more than her guitar, vocal harmonies, and a sparse Appalachian string band, she steers her voice through tales of Greyhound bus rides, the South, and swampy landscapes. The mood is hushed throughout, although songs like "The Mural" build up to towering climaxes before resuming their serene, earthy pitch. All of this is a far cry from Azure Ray's work, perhaps, but Ask the Night is often gorgeous in its simplicity. Consider this the intimate, moody cousin to Maria Taylor's LadyLuck, an equally endearing (but wildly dissimilar) solo album that came out several months prior.

Biographie

Né(e) : 18 septembre 1975 à Birmingham, AL

Genre : Alternative

Années d’activité : '90s, '00s, '10s

Although Orenda Fink made her first splash as the songwriting partner of Maria Taylor, she also became a respected bandleader and solo musician in her own right, drawing upon everything from Haitian folk music to pop/rock in the process. Fink and Taylor first launched their partnership as students at the Alabama School of Fine Arts, which led to the formation of Little Red Rocket several years later. When that group disbanded after two albums — 1997's Who Did You Pay and 2000's It's in the...
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