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German synth trio And One have traditionally had a bit of a hard industrial edge to their completely electronic sound, but on Bodypop, their first album for the Out of Line label, that hint of aggression is all but absent. In its place, Bodypop sounds like pure 1982 synth pop: think Depeche Mode's A Broken Frame, Soft Cell's Non-Stop Erotic Cabaret and Yaz's Upstairs at Eric's. Sounding like it was recorded entirely on instruments that were state of the art a quarter-century earlier, Bodypop is absolutely uncanny in its evocation of a long-gone sound, one that's so resolutely out of fashion that it feels paradoxically fresh and forward-looking in a way that synth pop hasn't in decades. Highlights include the near-ambient experimentation of "Traumfrau" (the one song that sounds more like the comparatively more experimental Orchestral Manoeuvres in the Dark or Thomas Dolby) and "Love You to the End," a straight-up pop song that sounds uncannily like a lost Depeche Mode single from the Construction Time Again era.


Formé(s) : 1989 à Berlin, Germany

Genre : Électronique

Années d’activité : '90s, '00s

German synth pop outfit And One formed in Berlin in 1989. DJs/producers Steve Naghavi and Chris Ruiz first met the previous year in a local dance club, bonding over their mutual affection for early industrial acts like Front 242 and Nitzer Ebb and borrowing their subsequent dual synthesizer and beatbox aesthetic from Depeche Mode. Upon signing to the fledgling Machinery label, And One issued their 1990 debut single, "Metal Hammer," a significant club hit that set the stage for their first full-length...
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Bodypop, And One
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