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Waldron - Haslam

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Mal Waldron's dark, circumspect approach is in full force as he carves agile lines with the help of British baritone saxophonist George Haslam. The diverse program includes a couple of standards ("I Got It Bad [And That Ain't Good]" and "If I Were a Bell"), a twist on a classical favorite ("Variations on Brahms 3, Movement 3"), a Waldron original ("A Time for Duke"), a tune by Haslam ("The Vortex"), and a couple of jointly improvised efforts ("Catch as Catch Could" and "Motion in Order"). The two musicians are fully in sync, aside from the few times, particularly on the improvised pieces, where there is a tendency to ramble. Haslam boasts a singularly attractive, thin tone that balances the pianist's dense styling. The commanding improvisations by both Haslam and Waldron straddle the boundaries of free and post-bop jazz in a compellingly charming way.


Né(e) : 16 août 1926 à New York, NY

Genre : Jazz

Années d’activité : '50s, '60s, '70s, '80s, '90s, '00s

A pianist with a brooding, rhythmic, introverted style, Mal Waldron's playing has long been flexible enough to fit into both hard bop and freer settings. Influenced by Thelonious Monk's use of space, Waldron has had his own distinctive chord voicings nearly from the start. Early on, Waldron played jazz on alto and classical music on piano, but he switched permanently to jazz piano while at Queens College. He freelanced around New York in the early '50s with Ike Quebec (for whom he made his recording...
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Waldron - Haslam, Mal Waldron
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  • 9,99 €
  • Genres: Jazz, Musique
  • Sortie: 21 févr. 1994


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