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On My Mind

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Avis sur l’album

Fabienne Delsol’s third album On My Mind provides much the same pay-off as her first two solo albums and her work as bassist and singer in the Bristols. That is to say, if you like albums that combines beat-group snappy songs with moody French atmospheres, you’re in luck. Delsol sings like she’s an old pal of Françoise Hardy, the album was recorded in Liam Watson’s Toerag time machine studio (with the dial stuck between 1964 and 1965) and the songs as written (mostly) by her guitarist Thomas Gardener are ringers for tracks on a really good Beat, Freakbeat, or British Psych comp. It’s a formula that could sound tired if not done perfectly; Delsol and her crew do it perfectly. The mix of uptempo rockers, dreamy ballads, and gently psychedelic songs is just right; Delsol can sing each style like it was second nature. The musicians play their parts just right too, never doing anything flashy but instead hanging back and giving Delsol's voice the full spotlight. While many have tried to channel this era and this sound, few have done it with the style and grace of Delsol. You can’t go wrong with any recording she’s done, but On My Mind may just be the best thing she’s done so far.

Biographie

Genre : Rock

Années d’activité : '00s, '10s

Rock & roll chanteuse Fabienne Delsol had made a name for herself with music that combines one part French pop and two parts classic British Beat. Delsol was born and raised in Limoges, a city in central France best known from producing porcelain and oak barrels; she was more interested in music, particularly rock & roll and Serge Gainsbourg, so in 1996 she moved to London. Delsol soon struck up a friendship with Liam Watson, a producer and engineer best known as one of the founders of Toe...
Biographie complète
On My Mind, Fabienne Delsol
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