iTunes

Ouverture de l’iTunes Store en cours…Si iTunes ne s’ouvre pas, cliquez sur l’icône de l’application iTunes dans votre Dock Mac ou sur votre bureau Windows.Progress Indicator
Ouverture de l’iBooks Store.Si iBooks ne s’ouvre pas, cliquez sur l’app iBooks dans votre Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

iTunes est introuvable sur votre ordinateur. Pour écouter des extraits et acheter des morceaux de [?], téléchargez iTunes.

Vous avez déjà iTunes ? Cliquez sur « J’ai déjà iTunes » pour l’ouvrir dès maintenant.

I Have iTunes Téléchargement gratuit
iTunes pour Mac et PC

Paul Dolden

Afficher sur iTunes

Pour écouter un extrait d’un morceau, survolez son titre avec la souris et cliquez sur Lecture. Ouvrir iTunes pour acheter et télécharger de la musique.

Biographie

Canadian electro-acoustic composer Paul Dolden managed to work from within the musique concrète institutions even though his art should have placed him at its very margin. Known mostly for what has been coined his "esthetics of excess," he stirred the otherwise very calm waters of the genre with his works for tape in which he piles up hundreds of layers of acoustic instruments. His two-CD set L'Ivresse de la Vitesse remains a classic of fin de siècle electro-acoustics.

Born in 1956 in Ottawa (Canada), Dolden studied in Vancouver, where he still resides. At first an electric guitarist, cellist, and violinist, he toured across Canada and Europe. This hands-on experience with "real" instruments explains his decision to approach tape music without the use of acousmatics. The composer does not use the standard techniques to mold the sounds. He works instead by accumulation, mixing together up to 500 tracks of individually recorded instruments, in order to obtain the textures he wants. The 1990 Tronia CD The Threshold of Deafening Silence presented his first results and sent an initial shockwave into the academic musique concrète community. L'Ivresse de la Vitesse (Empreintes DIGITALes, 1994), a longer and more conceptualized album, consecrated him as a leading figure in sound art. He was invited to numerous festivals, had residencies at the Groupe de Musique Experimentale de Bourges in France and the Electronic Music Studio in Sweden, and won an impressive number of awards since his first steps in 1981, including three first prizes at the Bourges International Electroacoustic Music Competition (in 1986, 1988 and 1990).

Dolden collaborates regularly with artists of the Vancouver new music scene. He wrote for John Kosrud's Hard Rubber Orchestra and helped Francois Houle for the tape part of his conceptual album Au Coeur du Litige.

Classement des morceaux

Genre
Années d’activité :

'80s, '90s, '00s

Ses précurseurs

Ses contemporains