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iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

iTunes est introuvable sur votre ordinateur. Pour écouter des extraits et acheter des morceaux de [?], téléchargez iTunes.

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Visage

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Pour écouter un extrait d’un morceau, survolez son titre avec la souris et cliquez sur Lecture. Ouvrir iTunes pour acheter et télécharger de la musique.

Biographies

Pioneers of the New Romantic movement, the synth pop group Visage emerged in 1978 from the London club Blitz, a neo-glam nightspot which stood in stark contrast to the prevailing punk mentality of the moment. Spearheading Blitz's ultra-chic clientele were Steve Strange, a former member of the punk band the Moors Murderers, as well as DJ Rusty Egan, onetime drummer with the Rich Kids; seeking to record music of their own to fit in with the club's regular playlist (a steady diet of David Bowie, Kraftwerk, and Roxy Music), Strange and Egan were offered studio time by another Rich Kids alum, guitarist Midge Ure. In late 1978, this trio recorded a demo which yielded the first Visage single, an aptly futuristic cover of Zager & Evans' "In the Year 2525."

Adding Ultravox keyboardist Billy Currie as well as three members of Magazine — bassist Barry Adamson, guitarist John McGeoch, and keyboardist Dave Formula — Visage signed to Radar Records to release "Tar" in September 1979, followed a year later by their self-titled debut LP. The album yielded a major single in "Fade to Grey," an instant club classic which heralded synth pop's imminent commercial breakthrough. The follow-up, "Mind of a Toy," was a Top 20 hit, but after releasing 1982's The Anvil, Visage began to disintegrate: first Ure exited to focus all of his energies on fronting Ultravox, then Currie and Formula broke ranks as well. 1984's Beat Boys was the group's final recording, although a remixed "Fade to Grey" was a U.K. Top 40 hit during the early '90s.

Classement morceaux

Formé(s) :

1978 à London, England

Genre
Années d’activité :

'70s, '80s, '00s, '10s

Du même style

Ses contemporains