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A Natural Death

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Album Review

By using special keyboards that mimic the eight-bit sound of early Nintendo games, Horse the Band has built a career on combining retro NES sounds with the metallic thud of noise-rock. A Natural Death continues that tradition — the liner notes even list the Gameboy as one of Erik Engstrom's three instruments — but the arrival of replacement drummer Chris Prophet has also strengthened the band's metal tendencies. Prophet's drumming is feverishly precise, a flurry of crisp 16th notes and brain-jolting snare hits, and the band seems newly energized (and perhaps a bit more diligent, not unlike a classroom's reaction to a demanding new teacher) as a result. Lyrics that would normally incite laughter (e.g., "Don't feed the bears! Or the bears will feed on you!") are now more likely to incite moshpits, with frontman Nathan Winneke furthering the harsh atmosphere in a guttural, growling voice. It's impressive and often downright scary, which is likely the result this band is looking to generate.

Of course, the Nintendo influence is still there. Sandwiched between the band's hardcore riffage are those unforgettable sounds from the '80s, including the nostalgic "warping noise" that Mario used to make. The bizarrely titled "Sex Raptor" takes things a step further, adding a touch of Duran Duran to what could otherwise pass as a B-side from Megaman II. Keeping up with this game can be difficult — at 16 tracks, it's a long album — but A Natural Death is still oddly enjoyable, striking a balance between novel and novelty. If that doesn't float your boat, perhaps the joke's on you.

Customer Reviews

get it!

If you're into clever, heavier stuff along the lines of mike pattons various projects, then I would highly recommend this album. Its heavy, its all over the place, its tight as f@$k, and the mad keyboard sounds give it something special. (not a massive keyboard fan normally). There's great variety in the songs, which gives them their depth. tracks like the beach and crickets help create the feel of the album, i think.
I'd say this is slightly more raw (but still nice on the ears) than desperate living.
love it!!!!!!

They be hatin'

When I first bought this album, I was skeptical at first and after a great length of time had passed I eventually gave up with it for good. I really wish that I hadn't. This a perfect example how to make music of various styles to work so well together that you wonder how its possible in the first place. Ignore the nay Sayers, although not as good as despirate living, it is still a master class in it's own right. Give it a chance.


This is a very strange album, every song varies in style which you rarely hear a band do, however the album is let down y too many time wasting skits, like 'crickets' 'the beach' 'kangarooster meadows' so on. Also 'face of bear is a mess and sounds crap the vocals are demented like they had been song y a bear with a mouth full of fish. How ever there are some good dsongs like 'red tornado' 'hyperorea' are the maiwo that stand out, but personally i find it an awful bore.


Formed: 2002 in Lake Forest, CA

Genre: Rock

Years Active: '00s

California's HORSE the Band debuted in 2003 with R. Borlax, a noisy but undoubtedly leading light in the burgeoning post-hardcore subgenre of Nintendocore (wherein musicians use specific instruments to mimic the sounds of Nintendo games). They returned in 2005 with Mechanical Hand, which was produced by Matt Bayles (Isis, Norma Jean) and released through the Koch imprint Combat. Nathan Winneke (vocals), Erik Engstrom (keys), Eli Green (drums), David Isen (guitar), and Dashiell Arkenstone (bass) proved...
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A Natural Death, Horse the Band
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Customer Ratings