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Ogdens' Nut Gone Flake (Deluxe Edition)

Small Faces

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Album Review

There was no shortage of good psychedelic albums emerging from England in 1967-1968, but Ogden's Nut Gone Flake is special even within their ranks. The Small Faces had already shown a surprising adaptability to psychedelia with the single "Itchycoo Park" and much of their other 1967 output, but Ogden's Nut Gone Flake pretty much ripped the envelope. British bands had an unusual approach to psychedelia from the get-go, often preferring to assume different musical "personae" on their albums, either feigning actual "roles" in the context of a variety show (as on the Beatles' Sgt. Pepper's Lonely Hearts Club Band album), or simply as storytellers in the manner of the Pretty Things on S.F. Sorrow, or actor/performers as on the Who's Tommy. The Small Faces tried a little bit of all of these approaches on Ogden's Nut Gone Flake, but they never softened their sound. Side one's material, in particular, would not have been out of place on any other Small Faces release — "Afterglow (Of Your Love)" and "Rene" both have a pounding beat from Kenney Jones, and Ian McLagan's surging organ drives the former while his economical piano accompaniment embellishes the latter; and Steve Marriott's crunching guitar highlights "Song of a Baker." Marriott's singing has him assuming two distinct "roles," neither unfamiliar — the Cockney upstart on "Rene" and "Lazy Sunday," and the diminutive soul shouter on "Afterglow (Of Your Love)" and "Song of a Baker." Some of side two's production is more elaborate, with overdubbed harps and light orchestration here and there, and an array of more ambitious songs, all linked by a narration by comic dialect expert Stanley Unwin, about a character called "Happiness Stan." The core of the sound, however, is found in the pounding "Rollin' Over," which became a highlight of the group's stage act during its final days — the song seems lean and mean with a mix in which Ronnie Lane's bass is louder than the overdubbed horns. Even "Mad John," which derives from folk influences, has a refreshingly muscular sound on its acoustic instruments. Overall, this was the ballsiest-sounding piece of full-length psychedelia to come out of England, and it rode the number one spot on the U.K. charts for six weeks in 1968, though not without some controversy surrounding advertisements by Immediate Records that parodied The Lord's Prayer. Still, Ogden's was the group's crowning achievement — it had even been Marriott's hope to do a stage presentation of Ogden's Nut Gone Flake, though a television special might've been more in order. [Universal's triple-disc deluxe edition of Ogden's Nut Gone Flake contains both the mono and stereo mixes of the album on separate CDs, then adds a bonus disc of 14 previously unreleased mixes and alternate takes. Many of these are stereo mixes intended for the U.S. market, some are early session mixes, and a few are instrumental backing tracks; all are curiosities that are worthwhile for dedicated fans.]

Customer Reviews

Ogdens Nutgone Flake

this 3 disc (yes i bought the cd's)deluxe release of this classic small faces album contains the remastered mono ,a stereo mix and various mix's and demo's,i've owned this album before on vinyl and i have to say this sounds brilliant,Ronnie Lanes bass shines as do all the lads,classic is often used but this truely is, a brilliant album from one of the greatest bands of the 60's. Love it.

Biography

Formed: 1965 in London, England

Genre: Rock

Years Active: '60s, '70s

Small Faces were the best English band never to hit it big in America. On this side of the Atlantic, all anybody remembers them for is their sole stateside hit, "Itchycoo Park," which was hardly representative of their psychedelic sound, much less their full musical range — but in England, Small Faces were one of the most extraordinary...
Full bio

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