iTunes

Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Become You by Indigo Girls, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Become You

Open iTunes to preview, buy and download music.

Album Review

Indigo Girls' eighth studio album, released 15 years after their first, finds the duo of Amy Ray and Emily Saliers in a sense starting over. Using their regular backup band of keyboardist Carol Isaacs, bassist Claire Kenny, and drummer Brady Blade, but only a couple of guest musicians — in contrast to albums that featured lots more players, many of them well known — and returning to producer Peter Collins, who worked with them on their second, fourth, and fifth albums, they have stripped down their approach to something approaching the folk-rock style with which they began. The restrained instrumentation and arrangements focus attention on the songs themselves, and Ray and Saliers, as usual writing separately and alternating tracks, have similar things to say. Eleven of the 12 songs are addressed by an "I" to a "you" (the exception, "She's Saving Me," might as well be), and for the most part they deal in romantic complications, with the "I" looking back on a past romance or detailing the difficulties that may lead to a breakup. In the opening track and first single, Ray's "Moment of Forgiveness," for example, the narrator notes that two years have gone by since her lover left and asks, hopelessly, "When are you gonna come home?" Ray is characteristically more raw in her singing and in her expression; she also provides the album's musical contrasts, whether it's the "Games People Play"-style Southern soul of "Moment of Forgiveness" or the Mexican tone of "Nuevas Senoritas." Saliers is more abstract, titling one of her laments "Deconstruction" and, in "She's Saving Me," even offers a more positive statement. But it is Ray's title track, in which a daughter of the South confronts the region's reprehensible mythology — not a song of romance — that is the album's most wrenching and powerful statement.

Biography

Formed: 1985 in Athens, GA

Genre: Singer/Songwriter

Years Active: '80s, '90s, '00s, '10s

While they came into prominence as part of the late-'80s folky singer/songwriter revival, the Indigo Girls had staying power where other artists from the same era quickly faded. Their two-women-with-guitars formula may not have seemed very revolutionary on paper, but the combination of two distinct personalities and songwriting styles provided tension and an interesting balance. Emily Saliers, hailing from the more traditional Joni Mitchell school, boasted a gentler sound, was more complex musically,...
Full bio