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Album Review

Releasing a dub album isn't exactly the likeliest of moves for Franz Ferdinand, but that's exactly why Blood is such a refreshing departure. Released less than half a year later than the group's third album, Tonight, Blood renames and reconfigures Tonight's songs in a way that's more sonically and conceptually interesting than typical remixes. Even at its best, Tonight tended to feel too careful, but if that album was a meticulously filled-in coloring book, then Blood is an abstract watercolor: spacious, free-flowing, and hypnotic. The thrill of a wild night out and its aftermath still make up Blood's heart — if anything, the highs are higher here than they were on the original versions: "Feel the Pressure" spins "What She Came For" in an even more hedonistic direction, allowing Alex Kapranos' sly vocals to skip over heavy beats and stabbing synths, while "Die on the Floor" is nearly as bold, distilling "Can't Stop Feeling" into a sleek dancefloor filler. Blood's lows are also lower than they were on Tonight, particularly "The Vaguest of Feeling," which sets Kapranos' "Live Alone" vocals adrift in space, intensifying their desolation. And while some of the album's tracks retain their Tonight roots, like "Feeling Kind of Anxious," which is still clearly "Ulysses" albeit with sparer beats and dubby echo, others are almost unrecognizable: "Backwards on My Face"'s keyboard riff is the only clue that the song's vocodered slink used to be "Twilight Omens." "If I Can't Have You Nobody Can" is one of the deepest dub moments, allowing producer Dan Carey (who has also worked with such masters as Lee "Scratch" Perry and Mad Professor) and bassist Bob Hardy free rein to take the track to the outer limits. While not every song is a rousing success, Blood feels fresh and alive — and underscores that Franz Ferdinand should take chances like this more often.

Customer Reviews

Blood

Some have complained recently at the fact that Tonight (Franz's last album) was not quite as risky as expected, if you excuse the brilliant Lucid Dreams. So they have returned with Blood the left over parts of the sessions with producer Dan Carey, the only problem is that because every track is from Tonight it becomes a bit hit and miss as you end up comparing every track to it's original. The album starts with 'Feel the Pressure' which is one of the album highlights turning What She Came For into even more of a rocker with staccato chords and Paul Thompson simple but effective drumming. 9/10 We then move on to 'Die On The Floor' taking Can't Stop Feeling and making it into even more of a dance track, along with 'Feel the Pressure' this makes a very strong start for the album. 9/10 'The Vaguest of Feeling' is another winner and turns Live Alone mostly into a instrumental before coming to a gorgeous finale. Best track on the album simple yet effective. 10/10 The album hits a wall with 'If I Can't Have You Then Nobody Can' it sounds sloppy and unfocused, poor. 5/10 'Katherine Hit Me' sounds on the other hand much more focused though slightly unoriginal. 8/10 'Backwards On My Face' is the wierdest track on the album becoming barely recognicable as Twilight Omens with Alex Kapranos's vocals being turned into a robotic groan. 6/10 If you brought the Ulysses single you may have already heard 'Feeling Kind of Anxious' like 'Katherine Kiss Me' it's a simple straightfoward remix of the track without sounding boring. 8/10 Along with 'IICHYTNC' and 'BOMF', ' Feel the Envy' is another disappointment feeling unoriginal untill the final blurred 30 seconds. 6/10 'Be Afraid' rounds off the album well keeping the tracks dreaming feel whilst making it pleasantly more interesting. 9/10 Download: Feel the Pressure, Die On the Floor, The Vaguest of Feeling and Be Afraid.

I listen to Blood more

Personally I prefer Blood to the original Tonight. Fantastic beats.

Absolutely Fantastic

Personally disappointed with their last "proper" LP, but this is incredible. Much more than a mere dub version - its a shame the proper lp didn't sound more like this - they could have made a screamdelica for the 2000's...

Biography

Formed: 2001 in Glasgow, Scotland

Genre: Alternative

Years Active: '00s, '10s

Glasgow's art-damaged rock quartet Franz Ferdinand — named for the Austro-Hungarian Archduke whose murder sparked World War I — feature bassist Bob Hardy, guitarist Nick McCarthy, drummer Paul Thomson, and singer/guitarist Alex Kapranos. In late 2001, Kapranos and Hardy had begun working on music together when they met McCarthy, a classically trained pianist and double bass player who originally played drums for the group despite no prior experience as a drummer. The trio had been rehearsing...
Full bio

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