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The Man Comes Around

Johnny Cash

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Album Review

Johnny Cash's fourth project with producer Rick Rubin continues on the same path as many of their previous releases: Cash's warm and rumbling baritone over minimal production and gentle duets with some surprising guests. One of the things that sets American IV: The Man Comes Around apart from the others is Cash's song selections. The success he experienced with his previous interpretations of contemporary songwriters (Soundgarden's "Rusty Cage," Nick Cave's "The Mercy Seat") is applied to this album with varying degrees of success. His throaty reading of Nine Inch Nails' "Hurt" easily fits into his "Man in Black" persona, and the spiritual conviction underlying Depeche Mode's "Personal Jesus" is certainly powerful. Unfortunately, the inclusion of "Bridge Over Troubled Water" (featuring a lost-sounding Fiona Apple) and a passionless snooze through the Beatles' "In My Life" should have been so much stronger (given the subject matter of both songs and Cash's prolific life story). One of the reasons his previous covers were so successful is that in the past he had chosen some pretty obscure songs (Bonnie Prince Billy's "I See a Darkness" and Beck's "Rowboat," to name a couple) and reinterpreted them with his unique perspective and unmistakable voice. However, there is really no need to hear his versions of the Irish standard "Danny Boy" or the clunky rendition of Sting's "I Hung My Head," since something about them just doesn't fit — either Cash wasn't entirely comfortable with the song or the performance was never fully realized. Luckily, the new songs Cash wrote for the album are pretty strong, and his cover of the standard "We'll Meet Again" is among the best versions of the song ever recorded. It is a relief to hear that, although Cash's voice is clearly older and not the booming powerhouse it was in the earlier Sun and Columbia days, he's still got some punch left in him, and the wisdom he's gained in his later life seeps through between the grooves, revealing a man who has lived through it all and lived to tell the tale.

Customer Reviews

Umm just one thing guys.

Quick note to some of the gushing people out there, Hurt was originally written by Trent Reznor of Nine Inch Nails not Mr Cash himself. (Go check out one of the original Nin recordings for a different view on this amazing song) However that should not detract anything away from Cash's delivery on the piece, which crawls with the earthy melancholy of the old and wise, as opposed to Mr Reznors Young and confused. The rest of the album is equally impressive the titular track itself pushing to center stage on the merits of it's slightly funk-a-dunk tones with the tar-black imagery of it's lyrics.


It takes a hell of a lot to brake 27 years of never sheding a tear, this album did it.

Hurt - an absolute must-have

Hurt just blew me away, if you have seen the video for it you will know exactly what I mean. It almost had me in tears it was that good, which no other song has accomplished with me yet. It has a deep, deep sense of sorrow and regret which is put across masterfully. There is so much emotion in this song, so much sadness. Yet it does make you want to put things right, a sort of will to do that which is right.


Born: 26 February 1932 in Kingsland, AR

Genre: Country

Years Active: '50s, '60s, '70s, '80s, '90s, '00s

Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. Cash's career coincided with the birth of rock &...
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