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Carboot Soul

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iTunes Review

Nightmares On Wax's early bleep-techno releases helped set the futuristic tone of the UK's Warp label. But with 1999's Carboot Soul, he eased into the cosiest kind of nostalgia. Named in homage to secondhand-record dealers, his third album is a crate-digger's delight, full of head-nodding breakbeats, muted horns, drowsy Rhodes riffs and moody funk basslines. Strings and acoustic guitars carry echoes of British folk music, while Sarah Winton's hazy vocals lend whispered intimacy to the softly lit proceedings.

Customer Reviews


This was the first NMOW record that I listened to and it was the best by far, to put it simply, this is a work of art. There are probably 2 songs that I skip on but only due to listening to them too many times. Highlights have to be Les Nuits, Capumcap and Finer for the simply brilliant vocals. If you want to relax or have got a few mates round and need some back-ground music on there is NO better album I can think of!

Perfect for those more chilled out moments.

I've had this on repeat ever since I got it. Cool, laid back - put simply, great music.


Formed: 1988 in Yorkshire, England

Genre: Electronic

Years Active: '80s, '90s, '00s, '10s

Originally the combined project of George Evelyn and Kevin "Boywonder" Harper -- the latter of whom was eventually replaced by Robin Taylor-Firth -- Nightmares on Wax became one of the brightest spots on the post-rave British techno map of the early '90s. NoW's debut album, A Word of Science, was -- along with early tracks by LFO, Tuff Little Unit, and Tricky Disco -- a crucial bridge between the competing influences of New York house and electro, Detroit techno and soul, London rave and acid, and...
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Carboot Soul, Nightmares On Wax
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